Yamaha Tyros5 Manuel du propriétaire télécharger pdf (Page 45)

Tyros5 Reference Manual 45

Styles – Playing Rhythm and Accompaniment –

When NTR is set to GUITAR

3 HIGH KEY / NOTE LIMIT

The settings here adjust the octave of the notes converted from the original ones through NTT and NTR.

4 RTR (Retrigger Rule)

These settings determine whether notes stop sounding or not and how they change pitch in response to chord

changes.

NATURAL MINOR 5th In addition to the Natural Minor transposition above, augmented and diminished chords

affect the 5th note of the Source pattern.

DORIAN When the played chord changes from a major to a minor chord, this table lowers the

third and seventh intervals in the scale by a semitone. When the chord changes from a

minor to a major chord, the minor third and flatted seventh intervals are raised by a

semitone. Other notes are not changed. Use this for chord channels of Sections which

respond only to major/minor chords such as in Intros and Endings.

DORIAN 5th In addition to the Dorian transposition above, augmented and diminished chords affect

the 5th note of the Source pattern.

ALL-PURPOSE This table covers both strummed- and arpeggio-played sounds.

STROKE Suitable for strumming sounds of the guitar. Some notes may sound as if they are

muted—this is normal when chords are strummed on an actual guitar.

ARPEGGIO Suitable for arpeggio-played sound of the guitar, resulting in beautiful four-note arpeg-

gio sounds.

[4 ]/

[5 ]

HIGH KEY This sets the highest key (upper octave limit) of the note transposition for the chord

root change. Any notes calculated to be higher than the highest key are transposed

down to the next lowest octave. This setting is available only when the NTR parame-

ter (page 44) is set to “Root Trans.”

[6 ] NOTE LIMIT LOW These set the note range (highest and lowest notes) for Voices recorded to the Style

channels. By judicious setting of this range, you can ensure that the Voices sound as

realistic as possible—in other words, that no notes outside the natural range are

sounded (e.g., high bass sounds or low piccolo sounds).

[7 ] NOTE LIMIT

HIGH

C3-E3-G3

F3-A3-C4

♯

2-A

♯

2-C

♯

3-E

♯

3-G

♯

Example—When the highest key is F.

Root changes

Notes played

E3-G3-C4

F3-A3-C4

♯

3-G

♯

3-C

♯

Example—When the lowest note is C3 and the highest is D4.

Root changes

Notes played

High Limit

Low Limit

STOP The notes stop sounding.

PITCH SHIFT The pitch of the note will bend without a new attack to match the type of the new chord.

PITCH SHIFT TO ROOT The pitch of the note will bend without a new attack to match the root of the new chord.

RETRIGGER The note is retriggered with a new attack at a new pitch corresponding to the next chord.

RETRIGGER TO ROOT The note is retriggered with a new attack at the root note of the next chord. However, the

octave of the new note remains the same.

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Yamaha Tyros5 Manuel du propriétaire Page 45

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