Yamaha O1v Manuel du propriétaire Page 80
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- Table des matières
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
80 Chapter 7—Input Channels
01V96 Version 2—Owner’s Manual
Delaying Input Channels
To set the delay for each channel, press the [ /INSERT/DELAY] button repeatedly until
the page listed below that contains the desired channels appears.
-DLY 1-16 page
This page enables you to set the Delay function for Input Channels 1–16.
-DLY 17-32 page
This page enables you to set the Delay function for Input Channels 17–32.
The parameters on these two pages (and the procedure for setting them) are the same.
A DELAY SCALE
The following buttons determine the units of the delay value shown below the msec
value.
• meter ............................. Units are set to meters.
• feet ................................. Units are set to feet.
• sample ........................... Units are set to samples.
• beat ................................Units are set to beats.
• frame ............................. Units are set to timecode frames.
B GANG button
When this button is turned on (highlighted), the delay time for each channel in a chan-
nel pair can be set simultaneously. When this option is turned off, the delay time can be
set for each channel in a channel pair individually.
C Channel section
You can set individual delay parameters here. The delay parameters include the follow-
ing items:
• ON/OFF ........................This button switches the corresponding channel delay on or
off.
• msec............................... This parameter sets the delay time in milliseconds.
•meter/feet/sample/
beat/frame .................... The delay time can be set using units of meters, feet, samples,
beats, or frames, which you select by using the DELAY SCALE
buttons.
• MIX................................ This parameter sets the mix balance of dry (Input Channel)
and wet (delayed) signals.
• FB.GAIN .......................This parameter sets the amount of delay feedback.
2
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3
- Owner’s Manual 1
- FCC INFORMATION (U.S.A.) 2
- IMPORTANT SAFETY INSTRUCTIONS 3
- PRECAUTIONS 4
- Contents 10
- 1 Welcome 11
- Chapter 1—Welcome 12
- AD Input Section 14
- Control Surface 15 15
- Channel Strip Section 16
- STEREO Section 16
- ST IN Section 17
- FADER MODE Section 17
- DISPLAY ACCESS Section 18
- LAYER Section 19
- Display Section 19
- SELECTED CHANNEL Section 20
- SCENE MEMORY Section 21
- USER DEFINED KEYS Section 21
- Data Entry Section 22
- SOLO Section 22
- Rear Panel 23
- Digital I/O Section 24
- MIDI/Control Section 25
- SLOT Section 25
- Power Section 25
- Installing an Optional Card 26
- 3 Operating Basics 27
- Selecting Display Pages 28
- Display Interface 29
- 30 Chapter 3—Operating Basics 30
- Confirmation Messages 30
- Title Edit Window 30
- Selecting Layers 31
- Selecting Fader Modes 33
- Metering 34
- Metering 35 35
- 36 Chapter 3—Operating Basics 36
- 4 Connections and Setup 37
- ST IN 1 ST IN 2 38
- Workstation) 39
- About Wordclock 40
- Wordclock Connections 40
- Connections and Setup 41
- Input and Output Patching 43
- Patching Omni Outs 44
- Input and Output Patching 45 45
- 5 Tutorial 47
- 48 Chapter 5—Tutorial 48
- Initial Track Recording 49
- 50 Chapter 5—Tutorial 50
- Pairing Channels 50
- Routing Signals 51
- 52 Chapter 5—Tutorial 52
- Initial Track Recording 53 53
- 54 Chapter 5—Tutorial 54
- Initial Track Recording 55 55
- 56 Chapter 5—Tutorial 56
- EQ’ing the Input Signals 56
- Compressing the Input Signals 57
- 58 Chapter 5—Tutorial 58
- Recording 59
- Overdubbing to Other Tracks 60
- 62 Chapter 5—Tutorial 62
- Master recorder 63
- 64 Chapter 5—Tutorial 64
- Tutorial 65
- 66 Chapter 5—Tutorial 66
- Using the Internal Effects 66
- 68 Chapter 5—Tutorial 68
- Analog Inputs & Outputs 69
- Output Section 70
- Digital Inputs & Outputs 71
- Card Inputs 72
- Analog I/O & Digital I/O 73
- Temporarily used 73
- Laser optical device 73
- Dithering Digital Outputs 74
- 7 Input Channels 77
- 78 Chapter 7—Input Channels 78
- ST IN Channels 1–4 78
- Switching the Signal Phase 79
- 80 Chapter 7—Input Channels 80
- Delaying Input Channels 80
- Gating Input Channels 81
- 82 Chapter 7—Input Channels 82
- Compressing Input Channels 82
- Attenuating Input Channels 83
- 84 Chapter 7—Input Channels 84
- EQ’ing Input Channels 84
- Panning Input Channels 85
- 86 Chapter 7—Input Channels 86
- Routing Input Channels 86
- Input Channels 87
- 88 Chapter 7—Input Channels 88
- B SURROUND PAN section 89
- D AUX section 89
- E Meter section 89
- F GROUP section 89
- 90 Chapter 7—Input Channels 90
- Pairing Input Channels 92
- Pairing Input Channels 93 93
- Naming Input Channels 94
- Naming Input Channels 95 95
- 96 Chapter 7—Input Channels 96
- 8 Bus Outs 97
- Bus Out 1–8 98
- 100 Chapter 8—Bus Outs 100
- Bus Outs 101
- 102 Chapter 8—Bus Outs 102
- Control Surface 104
- Pairing Buses or Aux Sends 105
- Attenuating Output Signals 106
- 108 Chapter 8—Bus Outs 108
- 9 Aux Outs 109
- 110 Chapter 9—Aux Outs 110
- Attenuating Aux Outs 110
- Delaying Aux Outs 110
- Comp settings 111
- EQ settings 111
- Viewing Aux Out Settings 112
- Setting Aux Send Levels 113
- 114 Chapter 9—Aux Outs 114
- Setting Aux Send Levels 115 115
- 116 Chapter 9—Aux Outs 116
- Aux Outs 117
- 118 Chapter 9—Aux Outs 118
- Panning Aux Sends 119
- 120 Chapter 9—Aux Outs 120
- Input Patching 121
- Output Patching 123
- Patching Direct Outs 125
- Insert Patching 127
- B INSERT section 128
- C COMP section 128
- Insert Patching 129 129
- 11 Monitoring 131
- Monitor and Solo Setup 132
- Using the Monitor 133
- Using the Solo Function 134
- 12 Surround Pan 135
- 136 Chapter 12—Surround Pan 136
- A SURROUND MODE 137
- B PAN/SURR LINK 137
- 138 Chapter 12—Surround Pan 138
- Surround Pan 139
- 140 Chapter 12—Surround Pan 140
- ■ Surround Pan Monitoring 141
- Surround Panning 142
- Surround Panning 143 143
- 144 Chapter 12—Surround Pan 144
- Surround Panning 145 145
- 146 Chapter 12—Surround Pan 146
- B parameter box 147
- C parameter box 147
- 148 Chapter 12—Surround Pan 148
- Parameters 149
- • In Fader page 150
- • In Mute page 150
- Using Fader Group Master 152
- Using Mute Group Master 153
- 14 Internal Effects 157
- C button 158
- Internal Effects 159
- Chapter 14—Internal Effects 160
- Editing Effects 161
- About Add-On Effects 162
- About Plug-Ins 163
- 15 Scene Memories 165
- About Scene Numbers 166
- Storing and Recalling Scenes 167
- 168 Chapter 15—Scene Memories 168
- Auto Scene Memory Update 169
- Fading Scenes 170
- Fading Output Channels 171
- Recalling Scenes Safely 172
- Sorting Scenes 173
- 174 Chapter 15—Scene Memories 174
- 16 Libraries 175
- 176 Chapter 16—Libraries 176
- Using Libraries 177
- 178 Chapter 16—Libraries 178
- Input Patch Library 178
- Output Patch Library 179
- Effects Library 179
- 180 Chapter 16—Libraries 180
- Using Libraries 181 181
- 182 Chapter 16—Libraries 182
- • Combination Effects 182
- • Others 182
- • Add-On Effects 182
- Gate Library 183
- 184 Chapter 16—Libraries 184
- Compressor Library 184
- Using Libraries 185 185
- 186 Chapter 16—Libraries 186
- EQ Library 186
- Using Libraries 187 187
- 188 Chapter 16—Libraries 188
- 17 Remote Control 189
- Pro Tools Remote Layer 190
- Pro Tools Remote Layer 191 191
- 192 Chapter 17—Remote Control 192
- Configuring the 01V96 192
- Pro Tools Remote Layer 193 193
- 194 Chapter 17—Remote Control 194
- Pro Tools Remote Layer 195 195
- 196 Chapter 17—Remote Control 196
- Control Surface Operation 196
- ■ DISPLAY ACCESS section 197
- ■ Display section 197
- ■ Data Entry section 197
- ■ USER DEFINED KEYS section 197
- 198 Chapter 17—Remote Control 198
- Selecting Channels 199
- Setting Channel Levels 199
- 200 Chapter 17—Remote Control 200
- Muting Channels 200
- Panning Channels 200
- Soloing Channels 200
- Setting Send Levels 201
- Muting Sends A–E 201
- Panning Sends A–E 201
- Flip Mode 201
- 202 Chapter 17—Remote Control 202
- Editing Plug-ins 203
- 204 Chapter 17—Remote Control 204
- Bypassing Plug-ins 204
- Scrub & Shuttle 204
- Automation 205
- Nuendo/Cubase SX Remote Layer 206
- Other DAW Remote Layer 206
- MIDI Remote Layer 207
- 208 Chapter 17—Remote Control 208
- D ID, SHORT, LONG 209
- E ON section 209
- F FADER section 209
- 210 Chapter 17—Remote Control 210
- ■ When “SW” is assigned: 211
- ■ When “SW” is not assigned: 211
- Machine Control Function 212
- Machine Control Function 213 213
- 214 Chapter 17—Remote Control 214
- 18 MIDI 215
- MIDI Port Setup 216
- D SPECIAL FUNCTIONS section 217
- 218 Chapter 18—MIDI 218
- F OTHER COMMANDS 219
- G Fader Resolution 219
- 220 Chapter 18—MIDI 220
- 1), then press 221
- 222 Chapter 18—MIDI 222
- 224 Chapter 18—MIDI 224
- 226 Chapter 18—MIDI 226
- 228 Chapter 18—MIDI 228
- 19 Other Functions 229
- Setting Preferences 230
- Setting Preferences 231 231
- Prefer2 page 232
- Assignable Layer) 233
- Using the Oscillator 234
- Using the User Defined Keys 235
- Chapter 19—Other Functions 236
- Using Operation Lock 237
- Cascading Consoles 238
- Cascading Consoles 239 239
- Cascading Consoles 241 241
- A Status 242
- Initializing the 01V96 243
- Calibrating the Faders 244
- Calibrating the Faders 245 245
- Appendix A: Parameter Lists 247
- USER DEFINED KEYS 247
- Input Patch Parameters 249
- Initial Input Patch Settings 251
- CHANNEL NAME 252
- Output Patch Parameters 253
- Initial Output Patch Settings 255
- Bank 1 (GM Vol & Pan) 256
- Appendix 257
- Bank 3 (XG Vol & Pan) 258
- Bank 4 (Nuendo VST Mixer) 259
- Effects Parameters 260
- STEREO DELAY 261
- MOD. DELAY 261
- DELAY LCR 261
- SYMPHONIC 262
- AUTO PAN 263
- HQ. PITCH 263
- DUAL PITCH 263
- DYNA. PHASER 265
- REV+CHORUS 265
- REV->CHORUS 265
- REV+FLANGE 265
- REV->FLANGE 266
- REV+SYMPHO 266
- REV->SYMPHO 266
- REV->PAN 266
- DELAY+ER 267
- DELAY->ER 267
- DELAY+REV 268
- DELAY->REV 268
- DIST->DELAY 268
- MULTI FILTER 268
- ST REVERB 269
- M.BAND DYNA 269
- Preset EQ Parameters 271
- Preset Gate Parameters 272
- (fs = 44.1 kHz) 273
- Dynamics Parameters 275
- COMP Section 277
- COMPANDER HARD (H) 279
- COMPANDER SOFT (S) 279
- Appendix B: Specifications 280
- General Spec 280
- General Spec 281 281
- Appendix B: Specifications 282
- EQ Parameters 283
- Gate Parameters 284
- Comp Parameters 284
- Libraries 285
- Analog Input Spec 286
- Analog Output Specs 286
- Digital Input Spec 287
- Digital Output Spec 287
- I/O SLOT Spec 287
- CONTROL I/O Spec 288
- Dimensions 288
- Appendix C: MIDI 289
- 290 Appendix C: MIDI 290
- CHANNEL2 291
- 292 Appendix C: MIDI 292
- CHANNEL4 293
- 294 Appendix C: MIDI 294
- CHANNEL6 295
- 296 Appendix C: MIDI 296
- CHANNEL8 297
- 298 Appendix C: MIDI 298
- CHANNEL10 299
- 300 Appendix C: MIDI 300
- CHANNEL12 301
- 302 Appendix C: MIDI 302
- CHANNEL14 303
- 304 Appendix C: MIDI 304
- CHANNEL16 305
- 306 Appendix C: MIDI 306
- MIDI Data Format 306
- MIDI Data Format 307 307
- 308 Appendix C: MIDI 308
- MIDI Data Format 309 309
- 310 Appendix C: MIDI 310
- MIDI Data Format 311 311
- 312 Appendix C: MIDI 312
- MIDI Data Format 313 313
- 314 Appendix C: MIDI 314
- MIDI Data Format 315 315
- 316 Appendix C: MIDI 316
- MIDI Data Format 317 317
- Appendix D: Options 318
- 322 Index 322
- MIDI Implementation Chart 324
- 01V96 Block Diagram 325
- 01V96 Level Diagram 326
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