Yamaha O1v Manuel du propriétaire Page 143
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- Table des matières
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
Surround Panning 143
01V96 Version 2—Owner’s Manual
Surround Pan
12
E LFE
This parameter control sets the level of the LFE (Low Frequency Effects) Channel signal
routed to the subwoofer, and appears only in 5.1 and 6.1 Surround modes.
F F/R
In 6.1 Surround mode, F and R parameter controls appear. The F parameter control
determines how the Front Center signal is fed to the Left and Right channels, and the R
parameter control determines how the rear surround signal is fed to the Left and Right
surround channels.
6 DIV
This parameter control, instead of the F/R parameter control, appears in 3-1 or 5.1 Sur-
round mode, and determines how the Center signal is fed to the Left, Right, and Center
channels. It is expressed as a percentage ranging from 0 to 100%. When you set the
parameter to 100, the Center signal is fed to only the Center channel. When you set the
parameter to 0, the Center signal is fed to only the Left and Right channels. When you
set the parameter to 50, the Center signal is fed equally to the Left, Right, and Center
channels.
G LINK
This button is available only in 6.1 Surround mode. When you turn on this button, the
F and R controls are set to the same value, and linked together.
H ST LINK
Tur ning on this button links the surround pan parameters of two Input Channels that
are currently displayed on the page (Stereo Link function). You can link the surround
pan parameters of two channels regardless of whether they are paired.
I PATTERN
When Input Channels are linked by the Stereo Link function, the seven patterns select-
able here determine how the linked surround pan moves via the Parameter wheel and
the [INC]/[DEC] buttons.
3 Select one of seven trajectory patterns by turning on the corresponding tra-
jectory pattern button.
The following patterns are available:
• ...................... The sound image moves between left and right.
40 5636 40
- Owner’s Manual 1
- FCC INFORMATION (U.S.A.) 2
- IMPORTANT SAFETY INSTRUCTIONS 3
- PRECAUTIONS 4
- Contents 10
- 1 Welcome 11
- Chapter 1—Welcome 12
- AD Input Section 14
- Control Surface 15 15
- Channel Strip Section 16
- STEREO Section 16
- ST IN Section 17
- FADER MODE Section 17
- DISPLAY ACCESS Section 18
- LAYER Section 19
- Display Section 19
- SELECTED CHANNEL Section 20
- SCENE MEMORY Section 21
- USER DEFINED KEYS Section 21
- Data Entry Section 22
- SOLO Section 22
- Rear Panel 23
- Digital I/O Section 24
- MIDI/Control Section 25
- SLOT Section 25
- Power Section 25
- Installing an Optional Card 26
- 3 Operating Basics 27
- Selecting Display Pages 28
- Display Interface 29
- 30 Chapter 3—Operating Basics 30
- Confirmation Messages 30
- Title Edit Window 30
- Selecting Layers 31
- Selecting Fader Modes 33
- Metering 34
- Metering 35 35
- 36 Chapter 3—Operating Basics 36
- 4 Connections and Setup 37
- ST IN 1 ST IN 2 38
- Workstation) 39
- About Wordclock 40
- Wordclock Connections 40
- Connections and Setup 41
- Input and Output Patching 43
- Patching Omni Outs 44
- Input and Output Patching 45 45
- 5 Tutorial 47
- 48 Chapter 5—Tutorial 48
- Initial Track Recording 49
- 50 Chapter 5—Tutorial 50
- Pairing Channels 50
- Routing Signals 51
- 52 Chapter 5—Tutorial 52
- Initial Track Recording 53 53
- 54 Chapter 5—Tutorial 54
- Initial Track Recording 55 55
- 56 Chapter 5—Tutorial 56
- EQ’ing the Input Signals 56
- Compressing the Input Signals 57
- 58 Chapter 5—Tutorial 58
- Recording 59
- Overdubbing to Other Tracks 60
- 62 Chapter 5—Tutorial 62
- Master recorder 63
- 64 Chapter 5—Tutorial 64
- Tutorial 65
- 66 Chapter 5—Tutorial 66
- Using the Internal Effects 66
- 68 Chapter 5—Tutorial 68
- Analog Inputs & Outputs 69
- Output Section 70
- Digital Inputs & Outputs 71
- Card Inputs 72
- Analog I/O & Digital I/O 73
- Temporarily used 73
- Laser optical device 73
- Dithering Digital Outputs 74
- 7 Input Channels 77
- 78 Chapter 7—Input Channels 78
- ST IN Channels 1–4 78
- Switching the Signal Phase 79
- 80 Chapter 7—Input Channels 80
- Delaying Input Channels 80
- Gating Input Channels 81
- 82 Chapter 7—Input Channels 82
- Compressing Input Channels 82
- Attenuating Input Channels 83
- 84 Chapter 7—Input Channels 84
- EQ’ing Input Channels 84
- Panning Input Channels 85
- 86 Chapter 7—Input Channels 86
- Routing Input Channels 86
- Input Channels 87
- 88 Chapter 7—Input Channels 88
- B SURROUND PAN section 89
- D AUX section 89
- E Meter section 89
- F GROUP section 89
- 90 Chapter 7—Input Channels 90
- Pairing Input Channels 92
- Pairing Input Channels 93 93
- Naming Input Channels 94
- Naming Input Channels 95 95
- 96 Chapter 7—Input Channels 96
- 8 Bus Outs 97
- Bus Out 1–8 98
- 100 Chapter 8—Bus Outs 100
- Bus Outs 101
- 102 Chapter 8—Bus Outs 102
- Control Surface 104
- Pairing Buses or Aux Sends 105
- Attenuating Output Signals 106
- 108 Chapter 8—Bus Outs 108
- 9 Aux Outs 109
- 110 Chapter 9—Aux Outs 110
- Attenuating Aux Outs 110
- Delaying Aux Outs 110
- Comp settings 111
- EQ settings 111
- Viewing Aux Out Settings 112
- Setting Aux Send Levels 113
- 114 Chapter 9—Aux Outs 114
- Setting Aux Send Levels 115 115
- 116 Chapter 9—Aux Outs 116
- Aux Outs 117
- 118 Chapter 9—Aux Outs 118
- Panning Aux Sends 119
- 120 Chapter 9—Aux Outs 120
- Input Patching 121
- Output Patching 123
- Patching Direct Outs 125
- Insert Patching 127
- B INSERT section 128
- C COMP section 128
- Insert Patching 129 129
- 11 Monitoring 131
- Monitor and Solo Setup 132
- Using the Monitor 133
- Using the Solo Function 134
- 12 Surround Pan 135
- 136 Chapter 12—Surround Pan 136
- A SURROUND MODE 137
- B PAN/SURR LINK 137
- 138 Chapter 12—Surround Pan 138
- Surround Pan 139
- 140 Chapter 12—Surround Pan 140
- ■ Surround Pan Monitoring 141
- Surround Panning 142
- Surround Panning 143 143
- 144 Chapter 12—Surround Pan 144
- Surround Panning 145 145
- 146 Chapter 12—Surround Pan 146
- B parameter box 147
- C parameter box 147
- 148 Chapter 12—Surround Pan 148
- Parameters 149
- • In Fader page 150
- • In Mute page 150
- Using Fader Group Master 152
- Using Mute Group Master 153
- 14 Internal Effects 157
- C button 158
- Internal Effects 159
- Chapter 14—Internal Effects 160
- Editing Effects 161
- About Add-On Effects 162
- About Plug-Ins 163
- 15 Scene Memories 165
- About Scene Numbers 166
- Storing and Recalling Scenes 167
- 168 Chapter 15—Scene Memories 168
- Auto Scene Memory Update 169
- Fading Scenes 170
- Fading Output Channels 171
- Recalling Scenes Safely 172
- Sorting Scenes 173
- 174 Chapter 15—Scene Memories 174
- 16 Libraries 175
- 176 Chapter 16—Libraries 176
- Using Libraries 177
- 178 Chapter 16—Libraries 178
- Input Patch Library 178
- Output Patch Library 179
- Effects Library 179
- 180 Chapter 16—Libraries 180
- Using Libraries 181 181
- 182 Chapter 16—Libraries 182
- • Combination Effects 182
- • Others 182
- • Add-On Effects 182
- Gate Library 183
- 184 Chapter 16—Libraries 184
- Compressor Library 184
- Using Libraries 185 185
- 186 Chapter 16—Libraries 186
- EQ Library 186
- Using Libraries 187 187
- 188 Chapter 16—Libraries 188
- 17 Remote Control 189
- Pro Tools Remote Layer 190
- Pro Tools Remote Layer 191 191
- 192 Chapter 17—Remote Control 192
- Configuring the 01V96 192
- Pro Tools Remote Layer 193 193
- 194 Chapter 17—Remote Control 194
- Pro Tools Remote Layer 195 195
- 196 Chapter 17—Remote Control 196
- Control Surface Operation 196
- ■ DISPLAY ACCESS section 197
- ■ Display section 197
- ■ Data Entry section 197
- ■ USER DEFINED KEYS section 197
- 198 Chapter 17—Remote Control 198
- Selecting Channels 199
- Setting Channel Levels 199
- 200 Chapter 17—Remote Control 200
- Muting Channels 200
- Panning Channels 200
- Soloing Channels 200
- Setting Send Levels 201
- Muting Sends A–E 201
- Panning Sends A–E 201
- Flip Mode 201
- 202 Chapter 17—Remote Control 202
- Editing Plug-ins 203
- 204 Chapter 17—Remote Control 204
- Bypassing Plug-ins 204
- Scrub & Shuttle 204
- Automation 205
- Nuendo/Cubase SX Remote Layer 206
- Other DAW Remote Layer 206
- MIDI Remote Layer 207
- 208 Chapter 17—Remote Control 208
- D ID, SHORT, LONG 209
- E ON section 209
- F FADER section 209
- 210 Chapter 17—Remote Control 210
- ■ When “SW” is assigned: 211
- ■ When “SW” is not assigned: 211
- Machine Control Function 212
- Machine Control Function 213 213
- 214 Chapter 17—Remote Control 214
- 18 MIDI 215
- MIDI Port Setup 216
- D SPECIAL FUNCTIONS section 217
- 218 Chapter 18—MIDI 218
- F OTHER COMMANDS 219
- G Fader Resolution 219
- 220 Chapter 18—MIDI 220
- 1), then press 221
- 222 Chapter 18—MIDI 222
- 224 Chapter 18—MIDI 224
- 226 Chapter 18—MIDI 226
- 228 Chapter 18—MIDI 228
- 19 Other Functions 229
- Setting Preferences 230
- Setting Preferences 231 231
- Prefer2 page 232
- Assignable Layer) 233
- Using the Oscillator 234
- Using the User Defined Keys 235
- Chapter 19—Other Functions 236
- Using Operation Lock 237
- Cascading Consoles 238
- Cascading Consoles 239 239
- Cascading Consoles 241 241
- A Status 242
- Initializing the 01V96 243
- Calibrating the Faders 244
- Calibrating the Faders 245 245
- Appendix A: Parameter Lists 247
- USER DEFINED KEYS 247
- Input Patch Parameters 249
- Initial Input Patch Settings 251
- CHANNEL NAME 252
- Output Patch Parameters 253
- Initial Output Patch Settings 255
- Bank 1 (GM Vol & Pan) 256
- Appendix 257
- Bank 3 (XG Vol & Pan) 258
- Bank 4 (Nuendo VST Mixer) 259
- Effects Parameters 260
- STEREO DELAY 261
- MOD. DELAY 261
- DELAY LCR 261
- SYMPHONIC 262
- AUTO PAN 263
- HQ. PITCH 263
- DUAL PITCH 263
- DYNA. PHASER 265
- REV+CHORUS 265
- REV->CHORUS 265
- REV+FLANGE 265
- REV->FLANGE 266
- REV+SYMPHO 266
- REV->SYMPHO 266
- REV->PAN 266
- DELAY+ER 267
- DELAY->ER 267
- DELAY+REV 268
- DELAY->REV 268
- DIST->DELAY 268
- MULTI FILTER 268
- ST REVERB 269
- M.BAND DYNA 269
- Preset EQ Parameters 271
- Preset Gate Parameters 272
- (fs = 44.1 kHz) 273
- Dynamics Parameters 275
- COMP Section 277
- COMPANDER HARD (H) 279
- COMPANDER SOFT (S) 279
- Appendix B: Specifications 280
- General Spec 280
- General Spec 281 281
- Appendix B: Specifications 282
- EQ Parameters 283
- Gate Parameters 284
- Comp Parameters 284
- Libraries 285
- Analog Input Spec 286
- Analog Output Specs 286
- Digital Input Spec 287
- Digital Output Spec 287
- I/O SLOT Spec 287
- CONTROL I/O Spec 288
- Dimensions 288
- Appendix C: MIDI 289
- 290 Appendix C: MIDI 290
- CHANNEL2 291
- 292 Appendix C: MIDI 292
- CHANNEL4 293
- 294 Appendix C: MIDI 294
- CHANNEL6 295
- 296 Appendix C: MIDI 296
- CHANNEL8 297
- 298 Appendix C: MIDI 298
- CHANNEL10 299
- 300 Appendix C: MIDI 300
- CHANNEL12 301
- 302 Appendix C: MIDI 302
- CHANNEL14 303
- 304 Appendix C: MIDI 304
- CHANNEL16 305
- 306 Appendix C: MIDI 306
- MIDI Data Format 306
- MIDI Data Format 307 307
- 308 Appendix C: MIDI 308
- MIDI Data Format 309 309
- 310 Appendix C: MIDI 310
- MIDI Data Format 311 311
- 312 Appendix C: MIDI 312
- MIDI Data Format 313 313
- 314 Appendix C: MIDI 314
- MIDI Data Format 315 315
- 316 Appendix C: MIDI 316
- MIDI Data Format 317 317
- Appendix D: Options 318
- 322 Index 322
- MIDI Implementation Chart 324
- 01V96 Block Diagram 325
- 01V96 Level Diagram 326
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