Yamaha P200 Manuel du propriétaire

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Page 2 - SPECIAL MESSAGE SECTION

10MODULATIONPITCHPOWERON/ OFF! [POWER] switchThis switch turns the power on and off. When the power is turnedon, the mode and status designated when t

Page 3 - FCC INFORMATION (U.S.A)

11! [VOLUME] sliderThis slider adjusts the overall volume of sound output from theinternal speakers (or headphones, if connected) as well as thesound

Page 4 - IMPORTANT SAFETY INSTRUCTIONS

12! [STORE] buttonThis button lets you store changes that you make to aPerformance, as well as copy the current Performance into anyPerformance memory

Page 5 - INTRODUCTION

SPEAKERON OFFINPUTR L/MONOR L/MONOOUTPUTSUSTAINSOSTENUTOSOFTFOOT CONTROLLERTHRUMIDIOUTIN13! [SPEAKER] switchThis switch lets you turn off the P-200

Page 6 - PRECAUTIONS

14 Voice Play and Performance Play ModesThe P-200 has two basic Play modes, Voice Play mode and Performance Playmode. Within each mode are various Vo

Page 7 - CONTENTS

15 Voice ParametersIn Voice Play mode, each of the P-200’s AWM instrument voices have a set of Voiceparameters that are initially set at the factory,

Page 8 - UPPER PANEL

16 Performance ParametersIn Performance Play mode, the P-200 has 24 sets of Performance parameters whichlet you configure settings for specific music

Page 9 - ELECTRONIC PIANO P-200

17Descriptions of all parameters anddetails about how to access andmanipulate them are provided in theappropriate sections herein. Also seethe Blank C

Page 10 - ■ UPPER PANEL—A

18GETTING STARTEDThis section explains how to set up the P-200 and the proper procedure for turning it on, playing the preprogrammed Demo songs, and b

Page 11 - ■ UPPER PANEL— B

19Before connecting the P-200 to anyexternal device, be sure that the powerswitches of all devices are turned off.4.Connect external line-level compon

Page 12 - ■ UPPER PANEL—C

ModelSerial No.Purchase DateSPECIAL MESSAGE SECTIONPRODUCT SAFETY MARKINGS: Yamaha electronic prod-ucts may have either labels similar to the graphic

Page 13 - REAR PANEL

205.Connect MIDI devices.If you wish to connect the P-200 to external MIDI devices such as a rhythmprogrammer, tone generator or synthesizer, you will

Page 14 - P-200 OVERVIEW

21 Playing the Demo SongsAfter setting up the P-200 and turning on the power — and before you begin exploringthe instrument’s various features — you

Page 15 - ■ Voice Parameters

22You can assign a specific effect to the[MODULATION] wheel in Edit mode(see page 58) which is completelyunrelated to the modulation effectsavailable

Page 16 - ■ Performance Parameters

23ENTERING AND EXITING VOICE PLAY MODE1.Press the [VOICE] button.When you press the [VOICE] button while the P-200 is in Performance Playmode, the LED

Page 17 - ■ System Settings

24 Single ModeWhen the P-200 is in Single mode, you can select and play any one of the 12 voicesover the full range of the keyboard. You can also app

Page 18 - GETTING STARTED

25Once you have modified certainparameters in Voice Play orPerformance Play mode, $ (QuickEdit) will display in the upper rightcorner to remind you th

Page 19

26NOTEAs you play the keyboard, you will hear the Electric Bass voice.To change back to the UPRIGHT BASS voice, simply press and hold [BASS]for a few

Page 20 - ■ Turning on the Power

27CHANGING REVERB DEPTH1.Hold the [REVERB] button and move the [DATA ENTRY] slider (or press[–1/NO] or [+1/YES]).As soon as you move the [DATA ENTRY]

Page 21 - HOW TO PLAY THE DEMO SONGS

28A different modulation type and speedcan be selected for each voice. Whenyou play two voices in either Dual orSplit mode, the P-200 will apply thema

Page 22 - ********* Play

29ADJUSTING THE EQUALIZATIONMove an [EQUALIZER] slider up or down.Move either the [LOW], [MIDDLE] or [HIGH] slider upward to increase the level ofoutp

Page 23 - VOICE PLAY MODE

FCC INFORMATION (U.S.A)1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!This product, when installed as indicated in the instructions contained in this

Page 24 - ■ Single Mode

30NOTE Dual ModeWhen the P-200 is in Dual mode, you can play two voices at the same time—a mainvoice and a sub voice—over the full range of the keybo

Page 25 - $ (Quick

31NOTEADJUSTING THE BALANCE OF THE DUAL VOICES1.Hold the [BALANCE] button and move the [DATA ENTRY] slider.As you move the [DATA ENTRY] slider, the DU

Page 26 - SELECTING A REVERB TYPE

32As you move the [DATA ENTRY] slider, the DUAL DETUNE screen appears.You can set the detune to any value between 0 (no detuning) and 7 (maximumdetuni

Page 27 - ■ Modulation Effects

33If you enter Split mode directly fromDual mode, and then choose theOrgan 1 voice as the main voice, whenyou press the [SPLIT] button to exitSplit mo

Page 28 - 3à 

34SELECTING SPLIT VOICES1.Main Voice: Press a [VOICE SELECT] button.When you press the [SPLIT] button to enter Split mode, the voice you wereplaying i

Page 29 - ■ Panel Equalizer

35NOTEMoving the slider upwards increases the level of the main voice while decreasing thelevel of the sub voice. Conversely, moving the slider downwa

Page 30 - E.P.3 +Strings

36NOTE2.Release the [SPLIT] button.After a moment, the Split voice names will reappear in the screen.The split point will remain where you set it unti

Page 31 - 0J 

37 TransposeThe P-200 has a multi-faceted transpose feature that lets you transpose the pitch atthe touch of a button while you play.The P-200 has fo

Page 32 - ■ Split Mode

38As you play in Split mode, the pitch of both voices will transpose according tomain and sub voice settings when you press the [TRANSPOSE] button. Yo

Page 33 - Sub Voice (C2) Main Voice

39In this case you cannot use the [CS]slider to change the transpose value.(Trying to do so in Dual mode willactivate the detune function.)When the tr

Page 34 - J0 

PLEASE KEEP THIS MANUALIMPORTANT SAFETY INSTRUCTIONSINFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARDPOSSIBILITIES HAS BEEN I

Page 35 - G 3 

40 MIDI Transmit EnableYou can enable or disable MIDI transmission by pressing the [MIDI] button. The LEDabove the [MIDI] button remains lit while th

Page 36 - Main/Sub 

41 MIDI PanicAlthough MIDI is very reliable, it is in fact so sophisticated that it is not without itsoccasional faults. For example, sometimes a con

Page 37 - ■ Transpose

42USING THE PANEL SWITCH LOCK FUNCTIONFrom the Voice Play mode or the Performance Play mode, double-click thedesired [VOICE SELECT] button. (Refer to

Page 38 - MAIN +12 

43In the Dual mode:● Selecting the Dual mode and locking the panel are done in a singleoperation: Hold down one [VOICE SELECT] button and double-click

Page 39 - TRANSPOSE

● To unlock the panel, simply double-click the main or sub voice’s [VOICESELECT] button.● Double-clicking a different [VOICE SELECT] button when the p

Page 40

45PERFORMANCEPLAY MODEWithin Performance Play mode you can select and play any one of the 24 Performances, make changes in a Performance, or store the

Page 41 - ■ Panel Switch Lock

46NOTESELECTING A PERFORMANCEPress a [PERFORMANCE SELECT] button.Pressing any of the 12 [PERFORMANCE SELECT] buttons will access a Performancein the c

Page 42 - PANEL LOCK

47 Selecting Dual VoicesWithin Performance Play mode you can easily select Dual voices in the currentPerformance. The procedure is slightly different

Page 43

482.Main Voice: Hold the [EDIT] button, then press a [VOICE SELECT]button.3.Sub Voice: Hold the [SPLIT] button and press a [VOICE SELECT]button.INT.EQ

Page 44 - SELECT] button

49EDIT MODEFrom within either Voice Play mode or Performance Play mode you can enter Edit mode and make changes to a wide variety of System, MIDI and

Page 45 - PLAY MODE

Congratulations! …and thank you for purchasing theYamaha P-200. The P-200 is a high-performanceelectronic piano with full-scale, weighted actionkeyboa

Page 46 - Piano 1

50SELECTING AN EDIT FUNCTIONPress an [EDIT SELECT] button.The LED above the button you press starts blinking, and thename of the currently active para

Page 47 - Piano1 +Strings

51● ACTIVEWhen the Active setting is selected, the P-200’s on-board reverbeffects will function as normal.● BYPASSWhen the Bypass setting is selected,

Page 48 - Bass / Piano1

52PERFORMANCE ENABLEThe Performance Enable function lets you switch betweenSystem (“Sys”) settings and Performance (“Perf”) settings forMIDI channel a

Page 49 - EDIT MODE

53 Program Change (PC) TableThe Program Change Table function lets you assign programchange numbers to incoming and outgoing program changemessages.P

Page 50 - EDITING PARAMETERS

54● MSB/LSB (Off, 0 ~ 127)This parameter lets you designate the MSB/LSB bank selectnumber. When set to Off (default), the P-200 will not transmit theb

Page 51 - ■ System

55● TRANSMIT CHANNEL Main/Sub (Off, 1 ~ 16)This determines the MIDI channel over which MIDI data is sent.For the Split mode, the main and sub voices

Page 52 - Disable

56INTERNAL CONTROLOff No function assignedReverb Depth Controls the reverb depth levelMod. Speed Controls the modulation speed levelTotal Volume Contr

Page 53 - ■ MIDI Filter

57 Panel Switch (PS)The Panel Switch function lets you assign a function to each ofthe two Panel Switches for realtime control of an external MIDIseq

Page 54 - ■ Channel

58The right-most parameter, Attack mode, determines which notesin a held cluster of notes are given an attack sound. With the ì(first) setting, only t

Page 55 - Foot Controller (FC)

59Velocity CurvesThe P-200 has 10 different types of sensitivity settings for bothinternal voices and external MIDI instruments, organized in fourcate

Page 56 - MIDI CONTROL CHANGE MESSAGES

(1)-2PRECAUTIONSPLEASE READ CAREFULLY BEFORE PROCEEDING* Please keep these precautions in a safe place for future reference. WARNINGAlways follow the

Page 57 - ■ Organ Combination

60STOREThe P-200 has versatile and handy store and copy functions. In Edit mode you can designate whether the changes you make in Voice Play mode and

Page 58 - ■ Keyboard Sensitivity

612.To overwrite the current Performance: Press[+1/YES]. (Press [–1/NO] if you want to cancel thestore operation and return to the previous mode.)This

Page 59 - ■ Modulation

62APPENDIX Bulk DumpThe Bulk Dump feature lets you offload parameter settings bysending it to an external MIDI data storage device (such as theYamaha

Page 60 - STORING A PERFORMANCE

63 InitializeThe Initialize feature lets you restore the initial factory defaultsettings with a quick and simple operation.Before initializing the se

Page 61 - A01 -› B10

64System messages also come in a number of varieties.SYSTEM REALTIME messages are used to start, stop andsynchronize the sequencing devices in a MIDI

Page 62 - APPENDIX

65MIDI TerminalsMIDI devices transmit messages to each other via special MIDIcables, which are connected to special MIDI terminals on eachdevice. Ther

Page 63 - ■ Initialize

66Besides eliminating the possibility of MIDI delays, a MIDI patchbay is essential in a larger setup where you frequently need toperform bulk dump and

Page 64 - ■ Using MIDI

67 Error MessagesOccasionally you may encounter certain error messages which appear in the LCD screen. Below is a list with descriptions of each.The

Page 65 - Connecting a Sequencer

68 TroubleshootingThe P-200 is a rather sophisticated electronic instrument with many parameter settings which affect its operation status. As such,o

Page 66 - MJC8 MIDI Patch Bay

69Cannot transmit MIDI messages Check that message types are turned off in the MIDI Filter menu of Edit mode, and that theeven though the MIDI Transm

Page 67 - ■ Error Messages

INTRODUCTION ... 5PRECAUTIONS...

Page 68 - ■ Troubleshooting

70 SpecificationsKeyboard 88-key (A-1 to C7), velocity sensitive, Graded Hammer Effect keyboardTone Generator AWM; 64-note maximum polyphonyVoices PI

Page 69

71NName (Performance)...57OOrgan Combination ...

Page 70 - ■ Specifications

72 MIDI CHANNELLOCAL ON/OFFASSIGNPC SENDOTHERS Note On/Off Control ChangeProgram ChangeAftertouchPitch Bend ChangeChannel Mode MessageParameter Cha

Page 71

73PRESET VOICE LISTPITCH BENDMODULATION WHEELINTERNALMIDIREVERBMODULATION INTERNAL EQUALIZERCONTROLLERS KBD SENS. EFFECTRANGEASSIGN

Page 72 - ■ FACTORY DEFAULT SETTINGS

74 MAINSUB16'8' 5-1/3'4'2-2/3'2'1-1/3'1'RESPONSE4'2-2/3'2'LENGTHEACH/FIRSTMAINSUBMAINSUBASSIGN

Page 73 - PRESET VOICE LIST

75Higher Note RangeHigher Note RangeHigher Note RangeHigher Note RangeHigher Note RangeHigher Note RangeHigher Note RangeSINGLE DUALPERF. A 06SPLIT SI

Page 74 - PRESET PERFORMANCE LIST

76 MAINSUB16'8' 5-1/3'4'2-2/3'2'1-1/3'1'RESPONSE4'2-2/3'2'LENGTHEACH/FIRSTMAINSUBMAINSUBASSIGN

Page 75

77SINGLE DUALPERF. B 06SPLIT SINGLE DUALPERF. B 07SPLIT SINGLE DUALPERF. B 08SPLIT SINGLE DUALPERF. B 09SPLIT SINGLE DUALPERF. B 10SPLITDUALVibesE.P.1

Page 76

78 MIDI CHANNELLOCAL ON/OFFASSIGNPC SENDOTHERS Note On/Off Control ChangeProgram ChangeAftertouchPitch Bend ChangeChannel Mode MessageParameter Cha

Page 77

79 MAINSUB16'8' 5-1/3'4'2-2/3'2'1-1/3'1'RESPONSE4'2-2/3'2'LENGTHEACH/FIRSTMAINSUBMAINSUBASSIGN

Page 78 - ■ Blank Chart

8MIDI FILTESYSTEMPIANO 1 PIANO 2VOICEPERF. BPERF. AEDITSTORE12PAGEDETUNETRANSPOSEBALANCESPLIT+1/YES-1/NOMIDIPS2PS1CONTRASTC3CSDATA ENTRYVOLUMEMAXMINMO

Page 79

802. MIDI TRANSMISSION/RECEPTION2.1 MIDI Transmission Condition MIDI DATA FORMAT1. MIDI DATA FLOW2.2 MIDI Reception ConditionsMIDI SWMERGEINTERNAL VE

Page 80 - ■ MIDI DATA FORMAT

813. CHANNEL MESSAGES3.1 Transmission3.1.1 Note On/Off[9nH]->[kk]->[vv]9nH : Note on/off Statusn : Channel No.kk : Key No.Transpose : 21 (A-1) -

Page 81 - 3. CHANNEL MESSAGES

82RX Program Change No.13143536VoicePerf. A01Perf. A02Perf. B11Perf. B12* Any Bank Select message is ignored.3.2.4 AftertouchAftertouch is not receive

Page 82 - 5. System Exclusive Messages

83● For more information about bulk dump format, see page 85.● You can assign the device number in Edit mode, System function; seepage 51.● When the d

Page 83 - 5.4 MIDI Panic

846. PARAMETER CHANGE TABLE6.1 System SetupF0H, 43H, 1nH, 2AH, 20H, 00H, 00H, N2H, 00H, V2H, F7Hn : Device NumberN2H : Parameter NumberV2H : Parameter

Page 84 - 6. PARAMETER CHANGE TABLE

856.5 MIDI FilterF0H, 43H, 1nH, 2AH, 2CH, 00H, 00H, N2H, 00H, 2VH, F7Hn : Device NumberN2H : Parameter NumberV2H : Parameter Value 2N2 data name V2 (d

Page 85 - 7. BULK DUMP

86VOICEdata0 F0H1 43H2 0NH3 7AH4 bytes56S7K8-9-10 211 412 913 014 V15 016↓ 00H2930 type 131 type 2Supplement: Parameter Change2. 00H–12H of Voice32

Page 86 - 7.2 Voice

877.4 MIDI Filter Table Bulk DumpP.C. TX TABLEdata0 F0H143H2 ONH3 7AH4 bytes56S7K8-9-10 211 412 913 014 M15 F16↓ 00H31Supplement: Parameter Change4

Page 87 - 7.3 Keyboard Mode

887.6 Program Change Receive Table Bulk DumpDUMP REQUESTdata0 F0H143H2 2NH3 7AH4S5K67829410 911 012 P13 R14↓ 00H2930 F7HP.C. Tx TABLEdata0 F0H1 43H2

Page 88

89 0 - 127❋❋❋❋❋❋❋❋ *1 0 - 127 0 - 11 assignablevoice etc.: True #: Song Position: Song Select: Tune: Clock: Commands: Local On

Page 89 - Version: 1.0

9REVERBMODULATIONROOMSTAGEHALLCHORUSSYMPHONICTREMOLOEFFECTLOW MIDDLE HIGHEQUALIZERINT.EQKBD SENS.PB MWNAMEPSCS FCLOCALCHANNELPC TABLEMIDI FILTERSYSTEM

Page 90 - Tel: 053-460-2445

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