Yamaha 02R96 Manuel du propriétaire Page 37
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- Table des matières
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
24 Chapter 2—Control Surface & Rear Panel
02R96—Owner’s Manual
AD Input Section
AD Input #1 is shown at the top; AD Inputs #17 and #18 below
A INPUT A & B (BAL) connectors
AD Inputs 1 through 16 feature balanced XLR-3-31-type connectors and balanced 1/4-inch
phone jacks, both with a nominal input range of –60 dB to +10 dB. Phantom powering
(+48 V) is supplied to the XLR-type connectors, with individual ON/OFF switches on each
input. The phone jacks, which can also be used with unbalanced phone plugs, have priority
over the XLR-type connectors, so when a phone plug is inserted, the XLR-type connector
is disconnected. AD Inputs 17–24 feature balanced 1/4-inch phone jacks. AD Inputs can be
patched individually to the Input Channels or Insert Ins. See “AD Input Section” on page
39 for more information.
B INSERT I/O +4dB (UNBAL) connectors (AD 1–16)
These unbalanced 1/4-inch TRS phone jacks are used to insert external signal processors,
etc., into AD Inputs 1 through 16. They are wired: sleeve–ground, ring–return, tip–send.
The nominal signal level is +4 dB. Inserts can be turned on and off individually by using the
INSERT ON/OFF switches. See “AD Input Section” on page 39 for more information.
Analog Master I/O Section
A
STUDIO MONITOR OUT +4 dB (BAL)
These balanced 1/4-inch TRS phone jacks, nominal output
level +4 dB, output the analog Studio Monitor signal for
monitoring in the actual studio. The source, which is
selected by using the STUDIO buttons in the MONITOR
section, can be Aux Send #7, Aux Send #8, the Stereo Out, or Control Room. The output
2
1
1
Male XLR plug
1 (ground)
3 (cold)
2 (hot)
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
1/4" phone plug
1/4" phone plug
1/4" TRS phone plug
To processor's input
From processor's output
Connect to INSERT jack
Tip (send)
Tip (send)
Ring (return)
Sleeve (ground)
Sleeve (ground)
Tip (return)
Sleeve (ground)
21 3
4 5 6
1/4" TRS phone plug
Tip (hot)
Ring (cold)
Sleeve (ground)
- Owner’s ManualOwner’s Manual 1
- Owner’s Manual 1
- IMPORTANT 2
- Important Information 3
- Contents 7
- 02R96—Owner’s Manual 10
- 1 Welcome 14
- Chapter 1—Welcome 15
- Control Surface 17
- Control Surface 7 20
- Control Surface 9 22
- Control Surface 11 24
- DISPLAY ACCESS 25
- DYNAMICS 25
- PAN/SURROUND 26
- EQUALIZER 27
- Control Surface 15 28
- Scene Up [ ] button incre 29
- Control Surface 17 30
- 1/4" TRS phone plug 32
- Tip (left) 32
- Ring (right) 32
- Sleeve (ground) 32
- CONTROL ROOM 34
- M DIMMER button 35
- N TALKBACK button 35
- Rear Panel 23 36
- AD Input Section 37
- Analog Master I/O Section 37
- B STEREO OUT +4 dB (BAL) 38
- C 2TR IN ANALOG 1 +4 dB (BAL) 38
- E STEREO OUT –10 dBV (UNBAL) 38
- 2 3 4 5 6 7 8 9 J L 39
- Rear Panel 27 40
- 3 Operating Basics 42
- 30 Chapter 3—Operating Basics 43
- Selecting Display Pages 44
- Display Parameter Boxes 44
- Parameter Windows 44
- 32 Chapter 3—Operating Basics 45
- Confirmation Messages 45
- Title Edit Window 45
- Selecting Layers 46
- 34 Chapter 3—Operating Basics 47
- Selecting Channels 47
- Selecting Fader Modes 48
- ASSIGN 2ASSIGN 1 49
- Chapter 3—Operating Basics 51
- AD Inserts (AD 1–16) 53
- Wordclocks 54
- 2TR Digital Outs 56
- 2TR Digital Ins 57
- Slot I/O 58
- Installing I/O Cards 59
- Slot I/O 47 60
- Dithering Digital Outputs 61
- Cascading Consoles 62
- Cascade Hookup Examples 63
- Attenuating Cascade Inputs 64
- Input Patching 65
- Patching Effects Inputs 66
- Output Patching 67
- Patching Omni Outs 68
- Output Channel Inserts Ins 68
- Patching Direct Outs 69
- Patch Select Window 70
- Patching with the Encoders 71
- 7 Input Channels 72
- 60 Chapter 7—Input Channels 73
- Gating Input Channels 73
- Attenuating Input Channels 74
- EQ’ing Input Channels 74
- 62 Chapter 7—Input Channels 75
- Grouping Input Channel EQs 75
- Input Channel Inserts 75
- Compressing Input Channels 75
- Delaying Input Channels 76
- 64 Chapter 7—Input Channels 77
- Setting Input Channel Levels 78
- Grouping Input Channel Faders 78
- 66 Chapter 7—Input Channels 79
- Routing Input Channels 79
- Panning Input Channels 80
- 68 Chapter 7—Input Channels 81
- Using Surround Pan 82
- 70 Chapter 7—Input Channels 83
- Input Channel Surround Pages 84
- Chapter 7—Input Channels 85
- 8 Stereo Out 86
- Chapter 8—Stereo Out 87
- Balancing the Stereo Out 88
- Delaying the Stereo Out 88
- Viewing Stereo Out Settings 88
- Naming the Stereo Out 88
- 9 Bus Outs 89
- 78 Chapter 9—Bus Outs 91
- Viewing Bus Out Settings 91
- Naming Bus Outs 91
- 10 Aux Sends 92
- 80 Chapter 10—Aux Sends 93
- Setting Aux Send Levels 93
- Aux Send Pages 93
- Fixed Mode 94
- 82 Chapter 10—Aux Sends 95
- Viewing Aux Send Settings 95
- Pre/Post Parameters 96
- 84 Chapter 10—Aux Sends 97
- Panning Aux Sends 97
- Metering Aux Send Masters 85 98
- Chapter 10—Aux Sends 99
- 11 Common Channel Functions 100
- Metering Output Channels 101
- Metering Effects 101
- Metering 89 102
- Attenuating Signals 103
- Using EQ 104
- 125 1.00 4.00 10.0 105
- EQ Edit Pages 106
- Grouping Output Channel EQs 107
- Using Inserts 108
- Compressing Channels 110
- Comp Edit Page 111
- Compressing Channels 99 112
- Delaying Channel Signals 114
- Soloing Channels 115
- Soloing Channels 103 116
- Pairing Channels 117
- Pairing Channels 105 118
- Input Channels 121
- Output Channels 122
- Bus Outs 123
- Aux Sends 124
- Stereo Out 124
- Naming Channels 125
- Naming Channels 113 126
- 12 Monitoring & Talkback 127
- AUX7 AUX8 128
- SURROUND 129
- SURROUND MONITOR LEVEL 129
- Surround Monitoring 117 130
- 3-1 to 3-1 3-1 to ST 131
- Surround Monitoring 119 132
- TALKBACK LEVEL 134
- TALKBACK 134
- 13 Libraries 135
- Channel Library 136
- 124 Chapter 13—Libraries 137
- Input Patch Library 137
- Output Patch Library 137
- Effects Library 138
- 126 Chapter 13—Libraries 139
- Bus to Stereo Library 139
- Gate Library 140
- 128 Chapter 13—Libraries 141
- Comp Library 141
- EQ Library 142
- 130 Chapter 13—Libraries 143
- Automix Library 143
- Surround Monitor Library 143
- About the Effects 144
- Patching Effects Processors 144
- Preset Effects & Types 144
- Modulation-based Effects 145
- Guitar Effects 145
- Dynamic Effects 145
- Combination Effects 145
- Editing Effects 146
- Parameter controls 1–4 147
- Parameter Up/Down 147
- About Plug-Ins 148
- Configuring Plug-Ins 148
- Editing Plug-Ins 149
- Editing Plug-Ins 137 150
- 15 Scene Memories 151
- Auto Scene Memory Update 152
- 140 Chapter 15—Scene Memories 153
- Using the Scene Memory Page 154
- 142 Chapter 15—Scene Memories 155
- Fading Scenes 155
- Recalling Scenes Safely 156
- 144 Chapter 15—Scene Memories 157
- Sorting Scenes 157
- 16 Automix 158
- 146 Chapter 16—Automix 159
- Automix Main Page 159
- Automix Main Page 147 160
- 148 Chapter 16—Automix 161
- Channel Strip [AUTO] Buttons 162
- 150 Chapter 16—Automix 163
- Automix Memory Page 163
- Fader Edit Pages 164
- 152 Chapter 16—Automix 165
- Creating a Time Signature Map 166
- 154 Chapter 16—Automix 167
- Recording an Automix 167
- Rerecording Events 167
- Parameter Recording 155 168
- 156 Chapter 16—Automix 169
- Playing Back an Automix 170
- 158 Chapter 16—Automix 171
- Editing Events Offline 171
- Editing Events Offline 159 172
- 160 Chapter 16—Automix 173
- Event Edit Page 174
- 162 Chapter 16—Automix 175
- 17 MIDI 176
- 164 Chapter 17—MIDI 177
- MIDI Port Setup 177
- MIDI Channel Setup 178
- 166 Chapter 17—MIDI 179
- 168 Chapter 17—MIDI 181
- Using Bulk Dump 181
- 18 Pro Tools Remote Layer 182
- Configuring Pro Tools 183
- CURSOR MODE 184
- SELECT ASSIGN 184
- INSERT/PARAM Display 185
- Encoder Display 185
- Channel Display Mode 185
- Channel Strips 186
- AUX SELECT Section 187
- ENCODER MODE Section 187
- FADER MODE Section 187
- PAN SEND LEVEL 187
- ( BANK) (BANK ) 189
- (MEM-LOC) 190
- (CURSOR MODE)(ESC) 191
- Flip Mode 194
- Assigning Inserts/Plug-ins 195
- Editing Plug-ins 196
- Bypassing Plug-ins 197
- Navigating the Edit Window 197
- Scrub & Shuttle 199
- Automation 200
- Trim Mode 201
- 19 Remote Control 202
- 190 Chapter 19—Remote Control 203
- 192 Chapter 19—Remote Control 205
- About Machine Control 205
- Configuring Machines 205
- Transport Buttons 206
- Using Shuttle & Scrub 206
- 12345678 209
- 9 10111213141516 209
- Setting Preferences 210
- Preferences 2 211
- Preferences 3 212
- Using the Oscillator 213
- Checking the Battery 213
- Initializing the 02R96 214
- Appendix A: Parameter Lists 215
- USER DEFINED KEYS 203 216
- Input Patch Parameters 205 218
- Initial Input Patch Settings 220
- Output Patch Parameters 209 222
- Output Patch Parameters 211 224
- Initial Output Patch Settings 226
- Initial Input Port Names 215 228
- GPI Trigger Source List 217 230
- Bank 1 (GM Vol & Pan) 232
- Bank 3 (XG Vol & Pan) 234
- Effects Parameters 223 236
- Effects Parameters 225 238
- Effects Parameters 227 240
- Effects Parameters 229 242
- Effects Parameters 231 244
- Effects Parameters 233 246
- Effects Parameters 235 248
- Effects Parameters 237 250
- Effects Parameters 239 252
- Effects Parameters 241 254
- Effects Parameters 243 256
- Effects Parameters 245 258
- Effects Parameters 247 260
- Effects Parameters 249 262
- Preset EQ Parameters 251 264
- Preset EQ Parameters 253 266
- (fs = 44.1 kHz) 268
- Appendix B: Specifications 273
- General Spec 261 274
- Appendix B: Specifications 275
- General Spec 263 276
- Controls 265 278
- Indicators 267 280
- Digital Input Spec 269 282
- Connector Pin Assignments 271 284
- Dimensions 285
- Appendix C: MIDI 286
- MIDI Data Format 288
- Format Details 288
- 276 Appendix C: MIDI 289
- Format Details 277 290
- Format Details 279 292
- Format Details 281 294
- Format Details 283 296
- Format Details 285 298
- Format Details 287 300
- Appendix D: Options 301
- MB02R96 Peak Meter Bridge 289 302
- Numerics 304
- Mono in x 56 312
- DigitalAnalog 313
- Digital Analog 313
- MIDI Implementation Chart 314
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