Yamaha 02R96 Manuel du propriétaire Page 258
- Page / 315
- Table des matières
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
Effects Parameters 245
02R96—Owner’s Manual
REVERB 5.1
One input, six output reverb for 5.1 surround, with surround panning.
OCTA REVERB
Eight input, eight output reverb.
Parameter Range Description
REV TIME
0.3–99.0 s Reverb time
REV TYPE
Hall, Room, Stage, Plate Reverb type
HI. RATIO
0.1–1.0 High-frequency reverb time ratio
DIFF.
0.0–1.0 Reverb diffusion (left–right reverb spread)
DENSITY
0–100% Reverb density
HPF
THRU, 21.2 Hz–8.00
kHz
High-pass filter cutoff frequency
LPF
50.0 Hz–16.0 kHz,
THRU
Low-pass filter cutoff frequency
DIV.
0–100%
Divergence determines how the front center signal is fed to
the Left, Right, and Center channels. When set to 0%, it’s
fed only to the Left and Right channels (i.e., Phantom Cen-
ter). When set to 50%, it’s fed equally to the Left, Right, and
Center channels. When set to 100%, it’s fed to only the
Center channel (i.e., Real Center).
ROOMSIZE
0.1–20.0 Size of simulated room’s reverb
POS L/R
L63–R63 Left/right listening position
POS F/R
F63–R63 Front/rear listening position
POS CTRL
OFF, NOR, INV
1
1. When set to NOR, the position can be set by using the Joystick so long as the SELECTED CHANNEL
PAN/SURROUND [EFFECT] button’s indicator is on. When set to INV, the Joystick will work inverse-
ly. When set to OFF, Joystick control is off.
ER L/R
L63–R63 Left/right early reflections position
ER F/R
F63–R63 Front/rear early reflections position
ER LVL
0–100 Early reflections level
ER CTRL
OFF, NOR, INV
1
REV L/R
L63–R63 Left/right reverb position
REV F/R
F63–R63 Front/rear reverb position
REV LVL
0–100 Reverb level
REV CTRL
OFF, NOR, INV
1
Parameter Range Description
REV TIME
0.3–99.0 s Reverb time
REV TYPE
Hall, Room, Stage, Plate Reverb type
INI. DLY
0.0–100.0 ms Initial delay before reverb begins
HI. RATIO
0.1–1.0 High-frequency reverb time ratio
LO. RATIO
0.1–2.4 Low-frequency reverb time ratio
DIFF.
0.0–1.0 Reverb diffusion (left–right reverb spread)
DENSITY
0–100% Reverb density
HPF
THRU, 21.2 Hz–8.00
kHz
High-pass filter cutoff frequency
LPF
50.0 Hz–16.0 kHz,
THRU
Low-pass filter cutoff frequency
E/R BAL.
0–100%
Balance of early reflections and reverb
(0% = all reverb, 100% = all early reflections)
- Owner’s ManualOwner’s Manual 1
- Owner’s Manual 1
- IMPORTANT 2
- Important Information 3
- Contents 7
- 02R96—Owner’s Manual 10
- 1 Welcome 14
- Chapter 1—Welcome 15
- Control Surface 17
- Control Surface 7 20
- Control Surface 9 22
- Control Surface 11 24
- DISPLAY ACCESS 25
- DYNAMICS 25
- PAN/SURROUND 26
- EQUALIZER 27
- Control Surface 15 28
- Scene Up [ ] button incre 29
- Control Surface 17 30
- 1/4" TRS phone plug 32
- Tip (left) 32
- Ring (right) 32
- Sleeve (ground) 32
- CONTROL ROOM 34
- M DIMMER button 35
- N TALKBACK button 35
- Rear Panel 23 36
- AD Input Section 37
- Analog Master I/O Section 37
- B STEREO OUT +4 dB (BAL) 38
- C 2TR IN ANALOG 1 +4 dB (BAL) 38
- E STEREO OUT –10 dBV (UNBAL) 38
- 2 3 4 5 6 7 8 9 J L 39
- Rear Panel 27 40
- 3 Operating Basics 42
- 30 Chapter 3—Operating Basics 43
- Selecting Display Pages 44
- Display Parameter Boxes 44
- Parameter Windows 44
- 32 Chapter 3—Operating Basics 45
- Confirmation Messages 45
- Title Edit Window 45
- Selecting Layers 46
- 34 Chapter 3—Operating Basics 47
- Selecting Channels 47
- Selecting Fader Modes 48
- ASSIGN 2ASSIGN 1 49
- Chapter 3—Operating Basics 51
- AD Inserts (AD 1–16) 53
- Wordclocks 54
- 2TR Digital Outs 56
- 2TR Digital Ins 57
- Slot I/O 58
- Installing I/O Cards 59
- Slot I/O 47 60
- Dithering Digital Outputs 61
- Cascading Consoles 62
- Cascade Hookup Examples 63
- Attenuating Cascade Inputs 64
- Input Patching 65
- Patching Effects Inputs 66
- Output Patching 67
- Patching Omni Outs 68
- Output Channel Inserts Ins 68
- Patching Direct Outs 69
- Patch Select Window 70
- Patching with the Encoders 71
- 7 Input Channels 72
- 60 Chapter 7—Input Channels 73
- Gating Input Channels 73
- Attenuating Input Channels 74
- EQ’ing Input Channels 74
- 62 Chapter 7—Input Channels 75
- Grouping Input Channel EQs 75
- Input Channel Inserts 75
- Compressing Input Channels 75
- Delaying Input Channels 76
- 64 Chapter 7—Input Channels 77
- Setting Input Channel Levels 78
- Grouping Input Channel Faders 78
- 66 Chapter 7—Input Channels 79
- Routing Input Channels 79
- Panning Input Channels 80
- 68 Chapter 7—Input Channels 81
- Using Surround Pan 82
- 70 Chapter 7—Input Channels 83
- Input Channel Surround Pages 84
- Chapter 7—Input Channels 85
- 8 Stereo Out 86
- Chapter 8—Stereo Out 87
- Balancing the Stereo Out 88
- Delaying the Stereo Out 88
- Viewing Stereo Out Settings 88
- Naming the Stereo Out 88
- 9 Bus Outs 89
- 78 Chapter 9—Bus Outs 91
- Viewing Bus Out Settings 91
- Naming Bus Outs 91
- 10 Aux Sends 92
- 80 Chapter 10—Aux Sends 93
- Setting Aux Send Levels 93
- Aux Send Pages 93
- Fixed Mode 94
- 82 Chapter 10—Aux Sends 95
- Viewing Aux Send Settings 95
- Pre/Post Parameters 96
- 84 Chapter 10—Aux Sends 97
- Panning Aux Sends 97
- Metering Aux Send Masters 85 98
- Chapter 10—Aux Sends 99
- 11 Common Channel Functions 100
- Metering Output Channels 101
- Metering Effects 101
- Metering 89 102
- Attenuating Signals 103
- Using EQ 104
- 125 1.00 4.00 10.0 105
- EQ Edit Pages 106
- Grouping Output Channel EQs 107
- Using Inserts 108
- Compressing Channels 110
- Comp Edit Page 111
- Compressing Channels 99 112
- Delaying Channel Signals 114
- Soloing Channels 115
- Soloing Channels 103 116
- Pairing Channels 117
- Pairing Channels 105 118
- Input Channels 121
- Output Channels 122
- Bus Outs 123
- Aux Sends 124
- Stereo Out 124
- Naming Channels 125
- Naming Channels 113 126
- 12 Monitoring & Talkback 127
- AUX7 AUX8 128
- SURROUND 129
- SURROUND MONITOR LEVEL 129
- Surround Monitoring 117 130
- 3-1 to 3-1 3-1 to ST 131
- Surround Monitoring 119 132
- TALKBACK LEVEL 134
- TALKBACK 134
- 13 Libraries 135
- Channel Library 136
- 124 Chapter 13—Libraries 137
- Input Patch Library 137
- Output Patch Library 137
- Effects Library 138
- 126 Chapter 13—Libraries 139
- Bus to Stereo Library 139
- Gate Library 140
- 128 Chapter 13—Libraries 141
- Comp Library 141
- EQ Library 142
- 130 Chapter 13—Libraries 143
- Automix Library 143
- Surround Monitor Library 143
- About the Effects 144
- Patching Effects Processors 144
- Preset Effects & Types 144
- Modulation-based Effects 145
- Guitar Effects 145
- Dynamic Effects 145
- Combination Effects 145
- Editing Effects 146
- Parameter controls 1–4 147
- Parameter Up/Down 147
- About Plug-Ins 148
- Configuring Plug-Ins 148
- Editing Plug-Ins 149
- Editing Plug-Ins 137 150
- 15 Scene Memories 151
- Auto Scene Memory Update 152
- 140 Chapter 15—Scene Memories 153
- Using the Scene Memory Page 154
- 142 Chapter 15—Scene Memories 155
- Fading Scenes 155
- Recalling Scenes Safely 156
- 144 Chapter 15—Scene Memories 157
- Sorting Scenes 157
- 16 Automix 158
- 146 Chapter 16—Automix 159
- Automix Main Page 159
- Automix Main Page 147 160
- 148 Chapter 16—Automix 161
- Channel Strip [AUTO] Buttons 162
- 150 Chapter 16—Automix 163
- Automix Memory Page 163
- Fader Edit Pages 164
- 152 Chapter 16—Automix 165
- Creating a Time Signature Map 166
- 154 Chapter 16—Automix 167
- Recording an Automix 167
- Rerecording Events 167
- Parameter Recording 155 168
- 156 Chapter 16—Automix 169
- Playing Back an Automix 170
- 158 Chapter 16—Automix 171
- Editing Events Offline 171
- Editing Events Offline 159 172
- 160 Chapter 16—Automix 173
- Event Edit Page 174
- 162 Chapter 16—Automix 175
- 17 MIDI 176
- 164 Chapter 17—MIDI 177
- MIDI Port Setup 177
- MIDI Channel Setup 178
- 166 Chapter 17—MIDI 179
- 168 Chapter 17—MIDI 181
- Using Bulk Dump 181
- 18 Pro Tools Remote Layer 182
- Configuring Pro Tools 183
- CURSOR MODE 184
- SELECT ASSIGN 184
- INSERT/PARAM Display 185
- Encoder Display 185
- Channel Display Mode 185
- Channel Strips 186
- AUX SELECT Section 187
- ENCODER MODE Section 187
- FADER MODE Section 187
- PAN SEND LEVEL 187
- ( BANK) (BANK ) 189
- (MEM-LOC) 190
- (CURSOR MODE)(ESC) 191
- Flip Mode 194
- Assigning Inserts/Plug-ins 195
- Editing Plug-ins 196
- Bypassing Plug-ins 197
- Navigating the Edit Window 197
- Scrub & Shuttle 199
- Automation 200
- Trim Mode 201
- 19 Remote Control 202
- 190 Chapter 19—Remote Control 203
- 192 Chapter 19—Remote Control 205
- About Machine Control 205
- Configuring Machines 205
- Transport Buttons 206
- Using Shuttle & Scrub 206
- 12345678 209
- 9 10111213141516 209
- Setting Preferences 210
- Preferences 2 211
- Preferences 3 212
- Using the Oscillator 213
- Checking the Battery 213
- Initializing the 02R96 214
- Appendix A: Parameter Lists 215
- USER DEFINED KEYS 203 216
- Input Patch Parameters 205 218
- Initial Input Patch Settings 220
- Output Patch Parameters 209 222
- Output Patch Parameters 211 224
- Initial Output Patch Settings 226
- Initial Input Port Names 215 228
- GPI Trigger Source List 217 230
- Bank 1 (GM Vol & Pan) 232
- Bank 3 (XG Vol & Pan) 234
- Effects Parameters 223 236
- Effects Parameters 225 238
- Effects Parameters 227 240
- Effects Parameters 229 242
- Effects Parameters 231 244
- Effects Parameters 233 246
- Effects Parameters 235 248
- Effects Parameters 237 250
- Effects Parameters 239 252
- Effects Parameters 241 254
- Effects Parameters 243 256
- Effects Parameters 245 258
- Effects Parameters 247 260
- Effects Parameters 249 262
- Preset EQ Parameters 251 264
- Preset EQ Parameters 253 266
- (fs = 44.1 kHz) 268
- Appendix B: Specifications 273
- General Spec 261 274
- Appendix B: Specifications 275
- General Spec 263 276
- Controls 265 278
- Indicators 267 280
- Digital Input Spec 269 282
- Connector Pin Assignments 271 284
- Dimensions 285
- Appendix C: MIDI 286
- MIDI Data Format 288
- Format Details 288
- 276 Appendix C: MIDI 289
- Format Details 277 290
- Format Details 279 292
- Format Details 281 294
- Format Details 283 296
- Format Details 285 298
- Format Details 287 300
- Appendix D: Options 301
- MB02R96 Peak Meter Bridge 289 302
- Numerics 304
- Mono in x 56 312
- DigitalAnalog 313
- Digital Analog 313
- MIDI Implementation Chart 314
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