Yamaha Silent Series C3S Manuel d'utilisateur Page 517
- Page / 535
- Table des matières
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
CHAPTER 32. LIVE KEYBOARD SHORTCUTS 515
32.12 Key/MIDI Map Mode and the Computer MIDI
Keyboard
Windows Macintosh
Toggle MIDI Map Mode
Ctrl
M
M
Toggle Key Map Mode
Ctrl
K
K
Computer MIDI Keyboard
Ctrl
K
K
32.13 Zooming, Display and Selections
Windows Macintosh
Zoom In
+
+
Zoom Out
-
-
Drag/Click to Append to a Selection
Click to Add Adjacent
Clips/Tracks/Scenes to Multi-Selection
Click to Add Nonadjacent
Clips/Tracks/Scenes to a
Multi-Selection
Ctrl
Follow (Auto-Scroll)
Ctrl
F
F
Pan Left/Right of Selection
Ctrl
Alt
Alt
- May, 2009 2
- Welcome to Live 3
- 1.2.1 New Warping Engine 4
- 1.2.3 Workow Enhancements 4
- 1.2.5 New Library 5
- 1.2.7 Controllers 6
- 1.2.8 More Improvements 6
- First Steps 7
- 2.2 Setting up Preferences 8
- CHAPTER 2. FIRST STEPS 7 9
- 2.3 The Main Live Screen 10
- Adjusting the Main 11
- Window Split 11
- Authorizing Live 12
- 3.1 Copy Protection FAQs 13
- Protection? 14
- Live Concepts 15
- 4.2 Arrangement and Session 16
- 4.3 Tracks 17
- 4.4 Audio and MIDI 18
- 4.5 Audio Clips and Samples 19
- CHAPTER 4. LIVE CONCEPTS 18 20
- 4.6 MIDI Clips and MIDI Files 21
- 4.7 Devices and the Mixer 22
- CHAPTER 4. LIVE CONCEPTS 21 23
- The Live Mixer in the 24
- Arrangement View (Left) 24
- Live's Crossfader 24
- 4.8 Presets and Racks 25
- 4.9 Routing 26
- 4.10 Recording New Clips 27
- 4.11 Automation Envelopes 28
- 4.12 Clip Envelopes 28
- 4.13 MIDI and Key Remote 29
- 4.14 Saving and Exporting 30
- 4.15 The Library 31
- CHAPTER 4. LIVE CONCEPTS 30 32
- Managing Files and Sets 33
- Library Is this 35
- Browser's Root 35
- The File Browser's 35
- Parent Folder Item 35
- A Folder in the Browser 35
- 5.1.2 Browser Bookmarks 36
- 5.1.3 Searching for Files 36
- Activating Browser 37
- Search Mode 37
- The Search Field and Go 37
- The Rescan Button 37
- Closing the Search 38
- Field 38
- ... Locates the File Last 38
- Selected Among the 38
- Search Results 38
- 5.1.4 Previewing Files 39
- The Preview Switch 40
- The Preview Volume 40
- Dropping a Clip to 41
- Create a New Track 41
- 5.1.7 Hot-Swap Mode 42
- The Hot-Swap Browser 43
- 5.2 Sample Files 44
- 5.2.2 Analysis Files (.asd) 45
- 5.2.3 File Pre-Analysis 46
- The Rendered Track 47
- Chooser 47
- Audio Rendering 48
- Options 48
- Waiting for External 50
- Devices to Become 50
- Real-Time Rendering in 50
- Progress 50
- Video Rendering 51
- 5.3 MIDI Files 52
- 5.4 Live Clips 53
- 5.5 Live Sets 54
- 5.5.4 Template Sets 56
- Every Entry in the 57
- Sample Reference List is 57
- Samples 57
- 5.6 Live Projects 58
- 5.6.1 Projects and Live Sets 59
- A New Project Was 61
- Added by Saving a Live 61
- Set Outside its Original 61
- Project 61
- 5.6.2 Projects and Presets 62
- 5.7 The Live Library 63
- The Library Location 65
- Unavailable Library 65
- Locations can be 65
- Cleared from the List 65
- 5.8 Locating Missing Samples 66
- 5.8.1 Manual Repair 67
- 5.8.2 Automatic Repair 67
- Automatic Repair 68
- Options in the File 68
- Manager 68
- Options for Collecting 69
- External Samples 69
- The File Manager's 70
- Collect and Save Button 70
- 5.11 Finding Unused Samples 71
- 5.13 File Management FAQs 72
- Folder Structure? 74
- Arrangement View 75
- 6.1 Navigation 76
- 6.2 Transport 77
- Scrubbing Arrangement 78
- Playback 78
- Setting the Play Position 78
- Position Fields 78
- Using Locators to 79
- Launch Play in the 79
- Arrangement 79
- The Locator Controls 79
- 6.4 Time Signature Changes 80
- 6.5 The Arrangement Loop 82
- 6.6 Moving and Resizing Clips 83
- Fades in the 84
- Crossfaded Clips 85
- 6.8 Selecting Clips and Time 86
- 6.9 Using the Editing Grid 87
- A Gap Between Clips 88
- Has Been Cut by First 88
- Selecting It, Then 88
- Executing the Cut Time 88
- Command 88
- 6.11 Splitting Clips 89
- 6.12 Consolidating Clips 89
- Consolidating Several 90
- Clips Into a New Clip 90
- Session View 91
- 7.1 Session View Clips 92
- 7.2 Tracks and Scenes 93
- A Scene in the Session 94
- 7.3 The Track Status Fields 95
- CHAPTER 7. SESSION VIEW 94 96
- 7.4.1 Select on Launch 97
- 7.4.3 Editing Scenes 97
- CHAPTER 7. SESSION VIEW 96 98
- The Stop All Clips 99
- Clip View 100
- CHAPTER 8. CLIP VIEW 99 101
- The Clip View for an 102
- Audio Clip 102
- CHAPTER 8. CLIP VIEW 101 103
- 8.1 The Clip Box 104
- 8.1.3 Clip Signature 105
- 8.1.4 Clip Groove Chooser 105
- 8.1.5 Clip Offset and Nudging 106
- 8.2 The Sample Box 107
- The Clip Zoom/Scroll 108
- The Clip Overview 108
- CHAPTER 8. CLIP VIEW 107 109
- The Clip Scrub Area 110
- The Clip Loop Controls 111
- Setting the Clip to Run 112
- Into a Loop 112
- 8.2.3 Clip Pitch and Gain 113
- The Save Default Clip 114
- The High Quality Switch 114
- The Clip Fade Switch 115
- Automatically Create 115
- Short Fades At Clip 115
- 8.2.8 Clip RAM Mode 116
- 8.2.9 Reversing Samples 116
- 8.2.10 Cropping Audio Clips 117
- 8.3 The Notes Box 118
- 8.3.2 Bank and Program Change 119
- 8.3.3 MIDI Loop/Region 119
- Tempo Control and Warping 120
- 9.1.2 Tapping the Tempo 121
- 9.1.3 Nudging the Tempo 121
- 9.2 Time-Warping Samples 122
- 9.2.1 Tempo Master/Slave 123
- 9.2.2 Warp Markers 123
- Double-Clicking In the 124
- Sample Creates a Warp 124
- The Follow Switch in the 124
- Control Bar 124
- Transient Markers 125
- 9.2.3 Using Warp Markers 126
- Setting the Warp 127
- Markers for a Poorly Cut 127
- Using Warp Markers to 128
- Manipulate the Groove 128
- Auto-Warp's Results in 129
- The Metronome Switch 129
- Using the Context Menu 130
- 9.2.4 Quantizing Audio 132
- 9.3.1 Beats Mode 133
- 9.3.2 Tones Mode 134
- 9.3.3 Texture Mode 134
- 9.3.4 Re-Pitch Mode 134
- 9.3.5 Complex Mode 135
- 9.3.6 Complex Pro Mode 135
- 9.3.7 REX Mode 135
- Chapter 10 137
- 10.2 The MIDI Editor 138
- Previewing MIDI Notes 139
- Note Scale Position Is 139
- Shown Vertically and 139
- Beat-Time Horizontally 139
- MIDI Editor Navigation 140
- 10.4 Editing MIDI 142
- 10.4.3 Grid Snapping 143
- 10.4.4 Editing Notes 143
- 10.4.5 Changing Note Length 145
- 10.4.7 Quantizing Notes 146
- 10.4.8 Editing Velocities 147
- Drawing Identical 148
- Velocities (Left) and a 148
- Crescendo (Right) 148
- 10.4.9 MIDI Note Stretch 149
- 10.4.10 Cropping MIDI Clips 150
- 10.4.11 Deactivating Notes 150
- Using Grooves 151
- 11.1 Groove Pool 152
- The Groove Pool 153
- 11.2 Editing Grooves 154
- 11.3 Groove Tips 155
- CHAPTER 11. USING GROOVES 154 156
- Launching Clips 157
- 12.2 Launch Modes 158
- 12.3 Clip-Level Quantization 159
- 12.4 Velocity 159
- 12.5 Legato Mode 160
- 12.6 Follow Actions 160
- The Follow Action 161
- Controls 161
- 12.6.2 Creating Cycles 163
- Routing and I/O 166
- 13.1 Monitoring 167
- 13.2 Exter nal Audio In/Out 168
- 13.3 Exter nal MIDI In/Out 169
- Activating the Computer 170
- MIDI Keyboard 170
- 13.3.4 MIDI In/Out Indicators 171
- 13.4 ReWire Slave Routing 172
- 13.5 Resampling 174
- 13.6 Inter nal Routings 174
- Two Ways to Route Track 175
- A into Track B 175
- Tap Points for Track 176
- Routing 176
- Tap Points for Every 177
- Chain in a Track 177
- An Example Setup for 178
- Post-Effects Recording 178
- Recording the Output of 179
- Audio Tracks 179
- Submixing the Individual 180
- Drums of a Drum Kit 180
- Using Impulse's 182
- Individual Outs to 182
- Separately Process 182
- Sample Slots 182
- Tracks Feeding MIDI to 183
- From the Parts of a 183
- Multi-Timbral 183
- Instrument 183
- Routing a Speech Signal 185
- Into a Vocoder's 185
- Sidechain Input 185
- Using an Auxiliary MIDI 186
- Track to Layer 186
- Instruments 186
- Chapter 14 187
- The Session View Mixer 188
- The Mixer Section 188
- Selectors 188
- CHAPTER 14. MIXING 187 189
- 14.1.1 Session Mixer Features 190
- 14.2 Audio and MIDI Tracks 191
- 14.3 Group Tracks 192
- ...and in Arrangement 193
- The Send Controls and 194
- Pre/Post Toggle 194
- The Crossfader and 195
- Selector 195
- Choose from Seven 195
- Crossfader Curves 195
- CHAPTER 14. MIXING 194 196
- 14.6 Soloing and Cueing 197
- CHAPTER 14. MIXING 196 198
- 14.7 Track Delays 199
- Recording New Clips 200
- 15.3 Recording 202
- Recording a New Clip 204
- Into the Session View 204
- 15.3.4 MIDI Step Recording 206
- 15.4 Recording in Sync 207
- 15.6 Recording with Count-in 208
- 15.7 Setting up File Types 209
- The Scene Up/Down 210
- Buttons 210
- A Track Launch Button 210
- The Step Recording 210
- Working with Instruments and 211
- Devices in the Track 212
- Devices Can Be Folded 212
- 16.1 Using the Live Devices 213
- MIDI and Audio Track 214
- Arm Buttons 214
- A MIDI Track's Device 215
- Chain Can Contain All 215
- Three Device Types 215
- Device Activator 215
- Switches 215
- 16.1.1 Live Device Presets 216
- Presets in the Device 217
- Browser 217
- The Hot-Swap Presets 217
- The Save Preset Button 218
- The Default Presets 218
- 16.2 Using Plug-Ins 219
- The Plug-In Device 220
- A VST Plug-In in the 221
- Track View 221
- The Plug-In Unfold 221
- The Plug-In Edit Button 222
- The Congure Button 223
- 16.3 VST Plug-Ins 225
- Setting up VST Plug-In 226
- Sources for Mac OS X 226
- 16.3.2 VST Programs and Banks 227
- 16.4 Audio Units Plug-Ins 228
- Activating Audio Units 229
- Plug-Ins 229
- Opening an Audio Units 229
- Plug-In Window 229
- Chapter 17 231
- 17.1 An Overview of Racks 232
- 17.2 Creating Racks 233
- 17.3 Looking at Racks 234
- 17.4 Chain List 236
- 17.4.1 Auto Select 237
- 17.5 Zones 238
- 17.5.2 Key Zones 240
- 17.5.3 Velocity Zones 240
- 17.5.4 Chain Select Zones 241
- Using Chain Select 242
- Zones to Create Effects 242
- Presets 242
- 17.6 Drum Racks 243
- The Chain List in a Drum 244
- 17.6.1 Pad View 245
- 17.6.2 Slicing 247
- Rearranging the Sliced 248
- MIDI Data 248
- 17.7 Using the Macro Controls 249
- 17.8 Mixing With Racks 250
- Mixing Rack Chains in 251
- 17.8.1 Extracting Chains 252
- Chapter 18 253
- 18.2 Deleting Automation 254
- 18.3 Overriding Automation 254
- 18.4.1 Drawing Envelopes 256
- 18.4.2 Editing Breakpoints 257
- 18.4.3 Locking Envelopes 258
- 18.4.4 Edit Menu Commands 258
- The Tempo Envelope 259
- Clip Envelopes 260
- The Clip View's 261
- Envelopes Box 261
- 19.2 Audio Clip Envelopes 262
- The Transposition 263
- Envelope with Steps 263
- (Top) and Ramps 263
- (Bottom) 263
- 19.2.4 Scrambling Beats 264
- and the modulation 265
- Envelope 265
- 19.3.2 Modulating Pan 267
- A MIDI Controller Clip 268
- Envelope 268
- The Sample (Left) and 270
- Envelope (Right) Start 270
- 19.5.4 Clip Envelopes as LFOs 271
- Working with Video 272
- A Video Clip with a 273
- QuickTime Marker 273
- 20.2.2 The Video Window 274
- 20.2.3 Clip View 275
- 20.3 Matching Sound to Video 276
- 20.4 Video Trimming Tricks 277
- The Video Clip and the 278
- Final Clip of Music 278
- The Video Clip with 278
- Pre-Roll Restored 278
- Live Audio Effect Reference 279
- 21.2 Auto Pan 281
- 21.3 Beat Repeat 282
- ask for them. If Chance 283
- time; if 283
- 21.4 Chorus 284
- 21.5 Compressor 285
- 21.5.1 Sidechain Parameters 288
- 21.5.2 Compression Tips 289
- 21.6 Corpus 291
- 21.7 Dynamic Tube 295
- 21.8 EQ Eight 296
- 21.9 EQ Three 298
- 21.10 Erosion 299
- 21.11 Exter nal Audio Effect 300
- 21.12 Filter Delay 301
- 21.13 Flanger 303
- 21.14 Frequency Shifter 304
- 21.15 Gate 307
- 21.16 Grain Delay 308
- 21.17 Limiter 310
- 21.18 Looper 311
- Record Play 313
- 21.18.1 Feedback Routing 315
- 21.19 Multiband Dynamics 316
- (common) 317
- (uncommon) 317
- 21.20 Overdrive 322
- 21.21 Phaser 323
- 21.22 Ping Pong Delay 324
- 21.23 Redux 326
- 21.24 Resonators 327
- 21.25 Reverb 328
- 21.25.2 Early Reections 329
- 21.25.3 Global Settings 329
- 21.25.4 Diffusion Network 330
- 21.25.5 Output 330
- 21.26 Saturator 331
- 21.27 Simple Delay 333
- 21.28 Spectrum 334
- 21.29 Utility 336
- 21.30 Vinyl Distortion 337
- 21.31 Vocoder 338
- 21.31.1 Vocoder Tips 340
- Live MIDI Effect Reference 342
- Pinky Up and Pinky 344
- UpDown 344
- Thumb Up and 344
- Thumb UpDown 344
- 22.2 Chord 346
- 22.3 Note Length 347
- 22.4 Pitch 348
- 22.5 Random 349
- 22.6 Scale 350
- 22.7 Velocity 351
- Live Instrument Reference 353
- Diagram of Analog's 354
- Signal Flow 354
- 23.1.2 Oscillators 355
- 23.1.3 Noise Generator 357
- 23.1.4 Filters 358
- 23.1.5 Ampliers 359
- 23.1.6 Envelopes 360
- 23.1.7 LFOs 361
- 23.1.8 Global Parameters 362
- 23.2 Collision 365
- 23.2.2 Excitator Tab 366
- Collision's Noise 367
- Section 367
- 23.2.3 Resonator Tabs 368
- Resonator Tuning 369
- Parameters 369
- Physical Properties of 369
- 23.2.4 LFO Tab 372
- 23.2.5 MIDI Tab 373
- Resonator 1 374
- Resonator 2 374
- 23.3 Drum Machines 376
- 23.4 Electric 377
- 23.4.2 Mallet Section 378
- 23.4.3 Fork Section 379
- 23.4.4 Damper Section 379
- 23.4.5 Pickup Section 380
- 23.4.6 Global Section 380
- 23.5 Exter nal Instrument 381
- ReWire Options Shown 382
- 23.6 Impulse 383
- 23.6.1 Sample Slots 384
- 23.6.3 Filter 385
- 23.6.4 Saturator and Envelope 385
- 23.7 Latin Percussion 386
- Preset Folders 387
- 23.8 Operator 388
- 23.8.1 General Overview 389
- 23.8.2 Oscillator Section 390
- 23.8.3 LFO Section 394
- 23.8.4 Envelopes 395
- 23.8.5 Filter Section 397
- 23.8.6 Global Controls 398
- 23.8.7 Glide and Spread 399
- 23.8.9 Finally 400
- 23.9.1 Installation 409
- 23.10 Sampler 411
- 23.10.2 Sampler's Tabs 413
- 23.10.3 The Zone Tab 414
- The Velocity Zone Editor 416
- The Sample Select 416
- 23.10.4 The Sample Tab 417
- 23.10.5 The Pitch/Osc Tab 420
- 23.10.6 The Filter/Global Tab 421
- 23.10.7 The Modulation Tab 422
- 23.10.8 The MIDI Tab 423
- 23.11 Session Drums 424
- 23.11.3 Mixing the Drums 425
- 23.12 Simpler 427
- 23.12.2 Sample Controls 428
- 23.12.3 Zoom 428
- 23.12.4 Envelope 429
- 23.12.5 Filter 429
- 23.12.6 LFO 429
- 23.12.7 Glide and Spread 430
- 23.13 Tension 432
- 23.13.2 String Tab 433
- Tension's Vibrato 437
- Tension's Damper 438
- Tension's Termination 439
- Tension's Body Section 441
- 23.13.3 Filter/Global Tab 442
- Tension's Global and 444
- Keyboard Parameters 444
- 23.13.4 Sound Design Tips 445
- 23.14.1 EIC Installation 446
- Max For Live 449
- The Max Editor Chooser 450
- The Edit Button for a 450
- Max Device 450
- Sharing Live Sets 451
- 25.1.1 Non-Portable Tracks 452
- 25.2 Downloading Sets 453
- The Upload/Download 454
- MIDI and Key Remote Control 455
- 26.1 MIDI Remote Control 456
- Control Surfaces Can 458
- Follow Device Selection 458
- Getting Hands-On: 458
- Control Surfaces Can Be 458
- Locked to Devices 458
- Dening Control 459
- Surfaces Manually 459
- 26.1.3 Takeover Mode 460
- 26.2 The Mapping Browser 461
- 26.2.2 Mapping to MIDI Notes 462
- and Twos 464
- 065127 063001 464
- The Relative Session 465
- Mapping Strip 465
- The Key Map Mode 466
- Using the APC40 468
- 27.2 Clip Launch Matrix 469
- Session View Clip and 470
- Navigation Controls 470
- 27.3 Session Overview 471
- 27.4 Mixer Section 472
- 27.5 Device Control 473
- Transport and Global 474
- 27.7 Track Control 475
- 27.8 Tempo Control 476
- 27.9 Crossfader 477
- Setting Up The APC40 478
- For Custom 478
- Assignments 478
- Synchronization and ReWire 479
- Choosing a MIDI Slave 480
- Setting up Live as a MIDI 480
- 28.1.3 MIDI Timecode Options 481
- 28.1.4 Sync Delay 481
- 28.2 Connecting via ReWire 482
- 28.2.3 More on ReWire 484
- Computer Audio Resources and 485
- Strategies 485
- The CPU Load Meter 486
- 29.1.3 Track Freeze 487
- A Frozen Arrangement 488
- Track with a Reverb Tail 488
- 29.2 Managing the Disk Load 489
- Audio Fact Sheet 491
- 30.2 Neutral Operations 492
- 30.2.7 Freeze, Flatten 495
- 30.2.8 Bypassed Effects 496
- 30.2.9 Routing 496
- 30.2.10 Splitting Clips 496
- 30.3 Non-Neutral Operations 497
- 30.3.3 Volume Automation 498
- 30.3.4 Dithering 498
- 30.3.7 Consolidate 499
- 30.3.8 Clip fades 499
- 30.3.9 Panning 500
- 30.3.10 Grooves 500
- 30.5 Summary and Conclusions 501
- MIDI Fact Sheet 502
- 31.2 MIDI Timing Problems 503
- 31.5 Tests and Results 506
- MIDI Output Test 507
- Conguration 507
- Selecting the MIDI Port 508
- Type (Windows) 508
- 31.7 Summary and Conclusions 509
- Live Keyboard Shortcuts 510
- 32.2 Accessing Menus 511
- 32.3 Adjusting Values 511
- 32.4 Browsing 512
- 32.5 Transport 512
- 32.6 Editing 513
- 32.8 Session View Commands 514
- 32.10 Commands for Tracks 516
- Keyboard 517
- 32.15 Clip View MIDI Editor 518
- 32.17 Global Quantization 519
- 32.20 Using the Context Menu 521
- INDEX 521 523
- INDEX 522 524
- INDEX 523 525
- INDEX 524 526
- INDEX 525 527
- INDEX 526 528
- preference 479 529
- INDEX 528 530
- INDEX 529 531
- INDEX 530 532
- INDEX 531 533
- INDEX 532 534
- INDEX 533 535
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