Yamaha RX-V559 Manuel du propriétaire Page 103
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101
GLOSSARY
ADDITIONAL
INFORMATION
English
■ LFE 0.1 channel
This channel reproduces low-frequency signals. The
frequency range of this channel is from 20 Hz to 120 Hz.
This channel is counted as 0.1 because it only enforces a
low-frequency range compared to the full-range
reproduced by the other 5/6 channels in Dolby Digital or
DTS 5.1/6.1-channel systems.
■ Neo:6
Neo:6 decodes the conventional 2-channel sources for 6-
channel playback by the specific decoder. It enables
playback with the full-range channels with higher
separation just like digital discrete signal playback. There
are two modes available: “Music mode” for music sources
and “Cinema mode” for movie sources.
■ PCM (Linear PCM)
Linear PCM is a signal format under which an analog
audio signal is digitized, recorded and transmitted without
using any compression. This is used as a method of
recording CDs and DVD audio. The PCM system uses a
technique for sampling the size of the analog signal per
very small unit of time. Standing for “Pulse Code
Modulation”, the analog signal is encoded as pulses and
then modulated for recording.
■ Sampling frequency and number of
quantized bits
When digitizing an analog audio signal, the number of
times the signal is sampled per second is called the
sampling frequency, while the degree of fineness when
converting the sound level into a numeric value is called
the number of quantized bits. The range of rates that can
be played back is determined based on the sampling rate,
while the dynamic range representing the sound level
difference is determined by the number of quantized bits.
In principle, the higher the sampling frequency, the wider
the range of frequencies that can be played back, and the
higher the number of quantized bits, the more finely the
sound level can be reproduced.
■ Component video signal
With the component video signal system, the video signal
is separated into the Y signal for the luminance and the PB
and P
R signals for the chrominance. Color can be
reproduced more faithfully with this system because each
of these signals is independent. The component signal is
also called the “color difference signal” because the
luminance signal is subtracted from the color signal. A
monitor with component input jacks is required in order to
output component signals.
■ Composite video signal
With the composite video signal system, the video signal
is composed of three basic elements of a video picture:
color, brightness and synchronization data. A composite
video jack on a video component transmits these three
elements combined.
■ S-video signal
With the S-video signal system, the video signal normally
transmitted using a pin cable is separated and transmitted
as the Y signal for the luminance and the C signal for the
chrominance through the S-video cable. Using the
S VIDEO jack eliminates video signal transmission loss
and allows recording and playback of even more beautiful
images.
Video information
- AV Receiver 1
- Ampli-tuner audio-vidéo 1
- ■ For U.K. customers 2
- CONTENTS 3
- FEATURES 4
- GETTING STARTED 5
- Remote control 8
- ■ Using the remote control 10
- Front panel display 11
- CONTROLS AND FUNCTIONS 12
- Rear panel 13
- CONNECTIONS 14
- Connecting speakers 15
- Speaker layout 16
- ■ Connecting the banana plug 17
- ■ Audio jacks 18
- ■ Video jacks 18
- Audio and video signal flow 19
- Connecting a TV 20
- ■ Connecting a DVD player 21
- ■ Connecting an STB 22
- (see page 77) 23
- YAMAHA iPod universal dock 24
- Connecting a game console, a 25
- Lead wire 27
- Insert the cable wire 27
- AC OUTLETS 28
- Setting the speaker impedance 29
- ■ Turning on this unit 30
- ■ Turning off this unit 30
- A/B/C/D/E 31
- PLAYBACK 34
- TONE CONTROL 35
- INPUT MODE 37
- SLEEP 90min 38
- SLEEP 120min 38
- USING AUDIO FEATURES 41
- P02 MUSIC 43
- ENJOYING SURROUND SOUND 45
- Using Virtual CINEMA DSP 46
- RECORDING 47
- FM/AM TUNING 48
- A AM 1440 kHz 49
- A1:FM 87.50MHz 50
- A AM 630 kHz 51
- C :AM 630 kHz 51
- C3:AM 630 kHz 52
- E1:FM 87.50MHz 53
- A5:FM 90.60MHz 54
- EDIT E1-A5 54
- Using the Radio Data System 56
- Lights up 57
- CTRTPTYPS 58
- SOUND FIELD PROGRAMS 59
- ■ For movie/video sources 60
- ■ For music sources 61
- 60 dB 60 dB 60 dB 65
- Pro Logic II 70
- Pro Logic IIx 70
- Monaural playback 70
- SET MENU 71
- Parameter Features Page 72
- CENTER SP 75
- SUR. L/R SP 75
- SUR. B SP 75
- LFE/BASS OUT 75
- CROSS OVER 76
- 02ASUBWOOFER PHASE 76
- B)SPEAKER 76
- F)DYNAMIC RANGE 78
- G)AUDIO SET 78
- 2 INPUT MENU 79
- 3 OPTION MENU 81
- B)MEMORY 82
- C)PARAM 82
- D)MULTI ZONE 83
- ADVANCED SETUP 84
- ■ Controlling this unit 86
- ■ Controlling a TV 86
- TRANSMITCODE SET 87
- REMOTE CONTROL FEATURES 88
- Setting library codes 89
- REMOTE OUT 91
- REMOTE IN 91
- ZONE 2 OUTPUT 91
- Controlling Zone 2 92
- TRANSMIT 93
- CODE SET 93
- Controlling iPod 94
- RESETTING THE SYSTEM 96
- ADDITIONAL 99
- INFORMATION 99
- TROUBLESHOOTING 100
- ■ Remote control 101
- GLOSSARY 102
- Video information 103
- ■ Virtual CINEMA DSP 104
- ■ CINEMA DSP 104
- ■ SILENT CINEMA 104
- SPECIFICATIONS 105
- APPENDIX-ii 107
- APPENDIX-iii 108
- APPENDIX-iv 109
- APPENDIX-v 110
- APPENDIX-vi 111
- APPENDIX-vii 112
- APPENDIX-viii 113
- APPENDIX-ix 114
- APPENDIX-x 115
- APPENDIX-xi 116
- APPENDIX-xii 117
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