Yamaha PM5000 Manuel du propriétaire Page 1

Owner's ManualE

PM5000 Overview10Panel LayoutThe layout of the PM5000’s functional sections in the basic configuration is shown below. In the PM5000-52C the master out

98Appendix2.2 Output Characteristics*1 24ch, 32ch, 48ch*2 All XLR connectors are balanced, Phone Jacks (TRS) are balanced (T=+, R=-, S=GND). Phone Jac

99AppendixMIDI Data Format1. TRANSMIT/RECEIVE DATA1.1 CHANNEL MESSAGE1.1.1 CONTROL CHANGE (Bn) BANK SELECT<Reception>In SINGLE mode when BANK is

100Appendix2. TRANSMISSION CONDITION3. RECEIVE CONDITIONMIDI Tx CH?CONTROL CHANGEBANK SELECT $BnHCONTROL CHANGE $BnHCONTROL CHANGENRPN $BnHMIDI INBANK

Appendix101TransmitFunction Receive RemarksBasic ChannelNote NumberVelocityAfter TouchPitch BendControl ChangeProgram ChangeSystem ExclusiveSystemCom

102IndexIndexSymbols[+48V] Switch ... 15+48V Master Switch ...

103IndexMIDI ...14, 77MIDI channel ...

For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.Pour plus de détails sur les pr

11PM5000 Overview1 Input Channel Section (page 15)Two types of input channels are provided – mono and stereo – but the basic block structure of each i

12PM5000 Overview7 Mute Master Section (page 21)The 8 [MUTE MASTER] switches can be used to mute specified input channel groups, or as [DIRECT RECALL]

13PM5000 Overview! Mono (Stereo) InputsXLR-type input connectors, DIRECT OUT connectors, and INSERT IN and OUT connectors are provided on each input c

14PM5000 OverviewExpansion:Connecting to External EquipmentThe PM5000 is entirely self-contained and can be used effectively on its own, but it does p

15Input Channel SectionMono and Stereo Input ModulesMono and stereo input modules make up the console’s input channel section. In essence each stereo

16Input Channel Section3 [GAIN] ControlAdjusts the input level. When the [PAD] switch is off the input level can be adjusted from –10 dB through –60 d

17Input Channel SectionInsert BlockThese switches are used to determine whether and where external processing gear connected to the rear-panel INSERT

18Input Channel SectionG/A (Group/Aux) Send 1~8 BlockThese controls determine how the channel signal is sent to the console’s 8 group/aux buses. $ Sen

19Input Channel Section( Main Out SwitchesDetermine where the post-fader channel signal will be sent. To assign the channel signal to the stereo bus e

The above warning is located on the rear of the unit.Explanation of Graphical SymbolsThe lightning flash with arrowhead symbol within an equilateral tr

20Input Channel SectionChannel Fader BlockThe channel faders determine the level of the channel signal sent to the console’s master buses, and are of

21Input Channel SectionChannel GroupingThis section will describe how channels can be assigned to VCA and mute groups.VCA GroupingThe PM5000 provides

Input Channel Section22VCA Group Assignment Procedure1 Press the ASSIGN MODE [VCA] key to initiate the assignment procedure (the indicator will flash).

Input Channel Section23Mute Group Assignment Procedure1 Press the ASSIGN MODE [MUTE] key to initiate the assignment procedure (the indicator will flash

Input Channel Section24VCA Master and Master Mute Switch Group ControlIf a number of input channels are assigned to VCA masters or mute master switche

Input Channel Section25The VCA 1 ~ VCA 12 [CUE] switches function as group cue switches for all assigned input channels. When a VCA master [CUE] switc

25-1Group Mute Channel [ON] Switch Indication ModeWhen the channels assigned to a MUTE MASTER ([1] ~ [8]) switch are muted, the [ON] switches of the m

25-22 While the Group Mute Display Setup Mode display is showing use the [INC]/[DEC] keys to select either “BLINK” (the muted channel [ON] switches wi

26Master Out SectionMultiple Masters In Single ModulesThe master output section is made up of modules housing the masters for 12 stereo aux buses, 8 G

Master Out Section27Basic Signal RoutingIn the same was as the input channel modules, the only real difference between the stereo aux, G/A, stereo, an

PRECAUTIONSPLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNINGAlways follow the basic prec

Master Out Section28Controls Common To All MastersSince the basic signal routing is common to the various master modules, all modules also feature man

29Master Out Section1 [TO MATRIX] SwitchWhen this switch is engaged the signal from the corresponding master is sent to the stereo and mono matrix. Th

30Master Out SectionStereo Aux Master ModuleRefer to the preceding “Controls Common To All Masters” section for descriptions of the stereo aux master

31Master Out SectionG/A (Group/Aux) Master ModuleRefer to the preceding “Controls Common To All Masters” section for descriptions of the G/A master co

Master Out Section32Group/Aux SwitchingThe G/A modules are all dual types that can be set for GROUP POST PAN (stereo master), GROUP PRE PAN (dual mono

33Master Out SectionCue Operation Differences In the G/A Bus ModesThe way the G/A master signal is sent to the cue buses varies according to the selec

Master Out Section34Stereo and Mono Master ModulesRefer to the preceding “Controls Common To All Masters” section for descriptions of the stereo and m

Matrix Send and Master Out Section35Matrix Send SectionThe matrix send section is located at the top of the console’s master out section. From the har

Matrix Send and Master Out Section36The level and balance of signals sent from the mono masters (group/aux, mono) a stereo matrix can be adjusted via

Matrix Send and Master Out Section37Matrix Master Out SectionThe matrix master out section is located to the right of the matrix send section. The mat

• Before connecting the device to other devices, turn off the power for all devices. Before turning the power on or off for all devices, set all volum

Oscillator and Talkback Section38The oscillator and talkback sections, located to the right of the master section, are independent. The oscillator sec

39Oscillator and Talkback SectionOscillator/Talkback Signal OutputThe oscillator is capable of producing continuous or burst-output pink noise, or sin

40Monitor Control SectionMonitor SourceThe monitor out section controls output to the consoles two monitor outputs (MONITOR A & B OUT) as well as

41Monitor Control SectionThe Monitor OutputsThe two monitor outputs can be used independently or simultaneously. When using MONITOR A and B at the sam

Monitor Control Section42When a channel [CUE] switch is operated directly the channel’s pre-fader signal will be sent to the MONITOR OUTs regardless o

43Monitor Control SectionThe cue points for all masters can be switched at once. To monitor the pre-master-fader signals engage the [MASTER PFL] switc

Monitor Control Section44Solo ModeCue and SoloThe terms “solo” and “cue” monitoring are often used interchangeably, and in some cases they are actuall

45Monitor Control SectionBasic OperationThe solo mode can be activated by holding the [SOLO MODE] switch on the meter bridge for more than two seconds

46Monitor Control SectionMaster Solo SelectWith complex, large-scale setups, the basic method of using individual [CUE] switches to check the sends to

Monitor Control Section47Meter BridgeThe PM5000 meter bridge features precise bar-graph meters that display the signal levels at the master outs (ster

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)ADVARSEL!Lithiumbatteri—Eksplosionsfare ved fejlagtig håndterin

48Monitor Control SectionThe meter bridge also features independent dimmer controls for the meters, panel switch illumination, and gooseneck lamps, as

49Digital Control SectionControl FunctionsThe digital control section includes the majority of functions used for digital control of the PM5000 scene

50Digital Control Section1 Scene Display (3 Digits + 3 Dots)When the PM5000 scene memory function is active the current (last recalled) scene memory n

51Digital Control SectionScene Memory FunctionsOverviewA “scene” is a set of panel settings stored in one of the PM5000’s 1,000 internal scene memorie

52Digital Control SectionFade TimeFade time settings can be used to create smooth transitions between recalled scenes. The fade time specified for a sc

53Digital Control SectionScene StoreThe following procedure stores the panel settings along with the current fade time settings (set as described in t

54Digital Control SectionRecall UndoThe previous scene recall operation can be undone by pressing the [RECALL UNDO] switch. If the [UNDO RECALL] switc

55Digital Control Section3 When the [ENTER] key is pressed to confirm and enter the title, the [TITLE] switch indicator will go out and the scene numbe

56Digital Control Section3 Press the [ENTER] key to confirm the selected scene number and the scene number will light continuously. At the same time th

57Digital Control SectionCommon OperationsAll utility functions are accessed and edited by using the alpha-numeric keypad, [CLEAR/EXIT] key, [ENTER] k

Foreword6ForewordThank you for choosing a Yamaha PM5000 Mixing Console. The PM5000 is the proud successor to the highly acclaimed Yamaha PM4000, which

58Digital Control Section4 When a parameter that can be edited is selected, the first editable parameter will appear flashing on the display. Use the [I

59Digital Control SectionDate/Time (Parameter No. U02)This is the date and time maintained by the PM5000’s internal clock. The date and time parameter

60Digital Control Section● Format2 If you selected FMT and pressed [ENTER] in step 1, above, the following confirmation message should appear.3 Press t

61Digital Control Section4 Press the alpha-numeric [1] key to begin loading the file, or [3] to abort the operation. Never remove a memory card from th

62Digital Control SectionMemory Protect (Parameter No. U05)This function can be used to temporarily protect the scene memory from being overwritten (o

63Digital Control SectionCopy scene: The contents of the target (“trg”) scene memory are copied to the destination (“dst”) scene number. This is simil

64Digital Control Section2 Use the [INC] and [DEC] keys to select GRP POST (group stereo), GRP PRE (group mono) or AUX, and the press the [ENTER] key.

65Digital Control SectionSafety and Protection FunctionsThis category includes a number of “recall safe” functions that can be set to protect specific

66Digital Control SectionRecall Safe Select (Parameter No. U11)Each input, VCA master, master out, and matrix out channel on the PM5000 features [RECA

67Digital Control SectionInput Solo Safe (Parameter No. U13)The PM5000 allows independent solo monitoring for the input channel, VCA and master sectio

About This Manual7About This ManualGeneral ApproachMost of this manual is devoted to describing the features and functions of the various PM5000 modul

68Digital Control SectionMonitor Delay (Parameter No. U15)When the monitor speakers are located a significant distance from the main house speakers the

69Digital Control SectionMaster Cue AFL Position (Parameter No. U16)The cue signal from each master section can be switched to pre- or –post-fader via

70Digital Control SectionFader Mode (Parameter No. U18)Normally the console’s motor fader system will physically move the faders to recalled settings

71Digital Control SectionDirect Recall/ Mute Master (Parameter No. U20)In addition to their normal function as mute master switches, the console’s 8 M

72Digital Control SectionGPIThe PM5000’s rear-panel GPI port provides 3 input and 8 output channels for GPI pulse communication with external equipmen

73Digital Control Section● Fader Start1 After selecting FADER START and pressing the [ENTER] key a display like the one shown below will appear. The e

Digital Control Section74CascadeThe PM5000 allows cascade connection to other consoles for master-slave operation. Two types of cascade connection are

Digital Control Section75Linked FunctionsWhen two PM5000 consoles are cascaded for channel expansion complete functional linking can be achieved as we

76Digital Control SectionCascade (Parameter No. U23)To allow fuss-free type A connection of PM5000 consoles, the PM5000 is shipped from the factory wi

77Digital Control SectionMIDIThe MIDI IN, OUT, and THRU connectors provided on the rear panel allow PM5000 operation to be linked to external MIDI dev

8ContentsForeword 6About This Manual 7General Approach ... 7The PM5000 Models ...

78Digital Control SectionProgram ChangeThe PM5000 employs a number of “strategies” to ensure full functionality with the standard MIDI implementation.

Digital Control Section79Note that the PM5000 uses the same number of bank and MIDI channel numbers (1 ~ 16). If the bank number referred to in the pr

80Digital Control Section● NRPN ControlIn the PM5000 NRPN (Non-Registered Parameter number) data can be used for the same control functions as control

81Digital Control SectionMIDI Control Change (Program No. U25)The functions in this section determine whether the PM5000 sends and receives control ch

82Digital Control Section2 Use the [INC] and [DEC] keys to set the selected parameter as required.3 Set the other functions as required.MIDI Echo Back

83Digital Control SectionMIDI Program Change Table (Parameter No. 28)The program change table determines the correspondence between the PM5000 scene n

84AppendixInstalling Options And Changing Internal Switch SettingsPlease refer module installation and internal setting changes to your Yamaha dealer

85Appendix4 Unplug the wiring connectors at the top (rear) end of the module that connect the module to the rear panel. There are two connectors on bo

86Appendix● Module InstallationThe module installation procedure is the reverse of the removal procedure described above.Rear Panel Input UnitsFirst p

87AppendixMono Input ModuleStereo Input Module5Pass the transformer leads through the square lead hole.Mono Input ModuleStereo Input Module6 The trans

9Monitor Control Section 40Monitor Source... 40The Monitor Outputs... 41Cue Sig

Appendix88Internal Switch Settings For Each moduleAs you tell from the PM5000 block diagram, each module has a number of internal switch settings. The

Appendix89Internal Switch Locations On Each moduleMono Input ModuleStereo Input ModulePREPRE PREPOSTPOSTPOSTSW107JBJSW106SW105AUX PREPOST/PRE EQDIRECT

Appendix90Stereo/Aux Master ModuleG/A Master ModuleSTAUX.GA (ODD) STAUX.GA (EVEN)FADERON SWTOMATRIXPRE POSTPRE POSTPRE POSTPRE POS

Appendix91Stereo/Mono Master ModuleFADERON SWMONOMASTERSTMASTERTO MATRIXPRE POSTPRE POSTPRE POSTPRE POSTFADERON SWSW102 SW103 SW10

92AppendixConnector Pin AssignmentsThe connector diagrams refer to the console connectors.Cascade ConnectorThese are the cascade connector pin assignm

93AppendixPM5000 Self-diagnostic FunctionThe PM5000 automatically performs a battery of internal tests when the power is turned on. If no problems are

Appendix94Error MessagesAny of the following messages appearing on the 4-character message display indicate that an error has occurred. Refer to the i

Appendix95TroubleshootingSymptom Possible Cause & SolutionPower won’t turn on.Panel displays and illumination won’t light.• Is the dedicated PW500

Appendix96Specifications1. General Specifications0dBu is referenced to 0.775 Vrms.Total Harmonic Distortion (Master Output)Less than 0.1%(THD+N)20Hz-20k

Appendix97*1 Hum & Noise are measured with a 6dB/octave filter @ 12.7kHz; equivalent to a 20kHz filter with infinite dB/octave attenuation.Temperatur